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The Dime and the Glass Door

My cousin and I both became mechanics because of our grandpa's shop. Only one of us remembers the soda machine.

By Overdrive RecordsPublished about 5 hours ago • 5 min read
The Dime and the Glass Door
Photo by Randy Fath on Unsplash

Every time I walked into my grandpa's automotive shop as a kid, I needed a dime.

Not a quarter. Not a dollar. A dime. That was the price of admission to the best part of the whole building, and I knew it before I knew how to tie my shoes right.

The shop sat here in town, the same town I still live in. It smelled like oil, rubber, and old coffee. There were cars up on lifts and tools on every wall, and grown men talking in a language I did not understand yet. Torque. Gaskets. Timing. To a little kid, it was loud and greasy and a little bit scary. But I did not go straight to the cars. I went to the office.

The office was where the soda machine was.

It was old even then. I would guess it came from the thirties or forties. It was the kind of machine that looked like it belonged in a black and white movie. It had a narrow glass door on the front, maybe four inches wide, and behind it the bottles stood in a row like soldiers waiting to be picked.

The ritual never changed. I would hold out my hand, somebody would drop a dime in it, and I would walk to that machine like I was about to do something important. I would push the dime into the slot and listen for it to drop. Then there was a click, and the little glass door would release. It only opened just enough. You had to work your fingers in there, grab the neck of the bottle, and pull it out at the right angle.

And then I had a Dr Pepper in my hand.

I can still feel how cold that bottle was against my palm in a hot shop. I can still hear the clink of the glass. If you asked me to draw that machine today, I could probably get it close. I could show you where the slot was, which way the door swung, and how far you had to reach in. It is one of the clearest memories I have from being little.

So it surprised me when I found out my cousin Sam does not remember it at all.

Sam is a couple of years younger than me. We grew up in and around that same shop. Grandpa was his grandpa too. And here is the part that still gets me: Sam became a mechanic just like I did. Two kids walked through the same garage door, and both of them grew up and picked up the same tools for a living. You would think we would have the same memories of the place that started it all.

We do not.

When I bring up the soda machine, Sam gives me a look. He does not argue with me. He just does not have it. No glass door, no dime, no cold bottle in a hot shop. Sam remembers the shop. He remembers Grandpa. But the machine that sits at the very center of my memory is not there in his.

At first that bothered me more than it should have. When you remember something that clearly, and someone who was right there does not, a small voice in the back of your head starts asking questions. Did I make it up? Did I take an old photo or a TV show and stitch it into my childhood? Memory is not a recording. It is a story we keep telling ourselves, and stories change every time we tell them.

But I know that machine was real. I know it the way I know the feel of a wrench in my hand.

So I started thinking about the space between our two versions instead of who was right.

Sam was younger. Two years does not sound like much to an adult, but to a kid it is a lifetime. When I was old enough to be trusted with a dime and a walk to the office by myself, Sam might have still been on somebody's hip. The machine might have been gone, or broken, or moved by the time he was old enough to care about it. Or maybe he had his own ritual that I never noticed, something in the bays or out by the cars that meant to him what that glass door meant to me.

That is the part I keep coming back to. We both took something from that shop, and we both carried it all the way into our adult lives. We both ended up with grease under our fingernails for a living. But we did not carry the same pieces. I carried the dime and the door. Sam carried whatever made him want to stay.

Maybe that is how it works with the places that shape us. Nobody gets the whole thing. Everybody walks out with a different handful.

Grandpa probably never thought twice about that soda machine. To him it was just something in the office. He had a business to run and cars to fix. He had no idea that a ten cent bottle of Dr Pepper was teaching his grandson that the shop was a good place, a place where you were welcome, a place where something good was waiting if you showed up. He had no idea he was building two mechanics at the same time.

I think about that machine a lot now that I am older. I think about how a small thing became a big thing in my mind. I think about how someone standing right next to me in that same building could walk away with no memory of it, and how that does not make my memory less true. It just makes it mine.

Sam and I still talk shop. We still compare notes on jobs and tools and the cars nobody else wants to touch. And every once in a while, I bring up the soda machine again, just to see if anything comes back to him.

It never does.

That is okay. I remember it enough for both of us. And if I ever find one of those old machines at an antique store, with that narrow glass door and a slot for a dime, I am buying it. I am putting it in my shop. And the next time Sam comes by, I am handing him a dime.

Maybe he will not remember the first one. But he will remember that one.

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About the Creator

Overdrive Records

🎸 Talking all things Gen-X rock and heavy metal, along with faith in Jesus through His Catholic Church.


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    Written by Overdrive Records