photography
Photography that showcases the best, worst and everyday moments of modern relationships.
TikTok Hot or Not Composite Images
A composite picture is when two or more images are merged together to form a resulting single picture. Making these composite images appear seamless is a task that is not very straightforward. It requires great precision even by very capable visual art creators. However, after the advent of the composite image formation software known as Attractive Face Scale things became a lot easier. Even the Tik Tok program has a feature to combine 15 pictures or transitions into a united image. Similarly, the Hot or Not Composite image trend is now emerging on various social media platforms particularly on Tik Tok.
Hazel JacksonPublished 4 months ago in HumansPeople Who Are Unrelatable But Might Be Good enough to justify Our Time
Announcements The universe has an approach to sending us inconspicuous messages. One just requirement to tune in. I observe the messages very uncovering. I just called it the universe, however some of the time I say it is my body that I pay attention to.
Oh Sweet Tea
There is more to sweet tea than sugar and ice There is more to herbs than smoke and spice I want to share my love and appreciation for tea because I realize that everyone did not grow up with this exposure to holistic teas and alternative healing. I may not be the stereo type poster for natural healing, but I know my teas.
Aqeedah Mujahid-GainesPublished 7 months ago in Humans
The Mental Game of Photography
If you seek to catch magic in a bottle, know that magic doesn't feel obliged to make it easy. A few years ago, I was on a tour with a wealthy man in his seventies who was trying to take up the sport of photographing birds in flight. At first glance, he had everything he needed. Money for the best equipment and guides. The time and health to travel anywhere in the world.
Amethyst QuPublished 10 months ago in Humans
Fatimah Haroon to Bring Us the First Pakistani Photoshoot of Turgut Alp
For some people, every next step becomes an unprecedented milestone for others to look up to. This is how we can define the journey of Fatimah Haroon, one of the most celebrated professional photographers in the country, as she sets out to add another great stint to her bag. This time, she teams up with none other than Cengiz Coskun, aka Turgut Alp for a highly anticipated photoshoot, which will be the superstar’s first appearance in the Pakistani glamour industry.
S. HussainPublished about a year ago in Humans
The Human Ark
I am a Jewish woman by definition of my religion, a Science Teacher & Animal Cruelty Investigator by trade and a Wildlife Photographer by experience. In trying to navigate the world of politics, health crisis and the new "Cancel Culture" it occurred to me that all of this will one day be a part of history and what a sizable book that will be. Things like who is writing it, will it be complete, will it be censored were all things that were brought to mind. Will it include the Evolution of Man or Creationism, will a Holocaust section give way to a Black Lives Matter section? As I started to think of all that information and how it would be condensed, I developed a headache so I started to catalog my photographs instead.
R.S. HaspielPublished about a year ago in Humans
six artists who utilize the body as a form of expression
Helena Almeida was a Portuguese artist who said about her art: “My work is my body, my body is my work.” Utilizing a variety of mediums, including photography, drawing, and mixed media, Almeida’s work possesses a haunting quality; Tela Habitada, or Inhabited Painting, shown above, point to the painting as a location for the self — one which the body can enter, reside in, leave marks upon, and retreat from. Instead of acting upon the painting, the artists acts within it, transforming the work and the self simultaneously such that they merge into one entity.
Emily SmithPublished about a year ago in Humans
In The Pockets Of the City
One of my favorite hobbies is, perhaps, a wee bit dangerous at times. On any given day (if it is not raining), I am probably wandering around Minneapolis looking for oddities to photograph. I am somewhat hampered by the fact that I do not have a car, but the Metro City Transit system helps out quite a lot, barring the occasional hiccup of getting lost. Scratch that. By now I am used to getting lost; I have learned to simply cross the street and catch a bus returning in the same direction I have just come from.
Juliette McCoy RiittersPublished about a year ago in Humans
"THANK YOU FOR THE LOVE" - A Photo Series
It seems like some people like being IN a relationship more than they like the PERSON they are in the relationship with. I've thought about this idea lot. In watching friends and acquaintances come in and out of relationships. In analyzing relationships of my own. Something about that idea scares me. I want to whole-heartedly love the person I'm with--for who they are, not just what they do. I want to love them complexly, deeply, and authentically. I want to love them even more than I love holding hands or kissing goodnight.
Oliver DahlPublished about a year ago in Humans
Development
I think social media knows what I want for my birthday better than my most of my loved ones, and I can't tell you if that's sad really, if anything at least it's convenient. Instead of scatter shot I tend to get a rather refined stream of ads interrupting my day, the lesser evil in a sense. Regardless, that's where I came across it. Lomography Metropolis 35mm, a perfect intersection of nerdy interest promising the look of the 1927 German, sci-fi film for which it was named and the inconvenient appeal of analogue photography. Less a want and more a need for your average pretentious student type, I think to myself justifying it as a course related purchase. I excuse away any thoughts to the contrary likely getting involved in a twitter debate that I had little stake in and any thoughts of reckless spending or any purchase were moved to the back of my mind alongside a distant deadline, only to be remembered when prompted externally.
CitrineLemons aka R LesliePublished about a year ago in Humans
mercy, a film journal for the tender heart and mind.
So does the second time feel different? Definitely, that’s when it got real. the first time, I was like oh we bout’ to do this. She just kind of morphed into what I wanted life to be at the time. Cherish on the other hand, has shown me that I really have to create life around her. She’s like, “you not about to just get up and do what you wanna do, without really considering me.” With her I definitely had to slow down a little bit more than I wanted to, and really sit with the reality that she’s a baby and she has needs.
bria laurenPublished about a year ago in Humans
Follow Your Dream
The old school at the end of the cul-de-sac had stood empty for some time. No little feet ran through the gym, no laughter echoed in the classrooms, no smell of mildewing lunches in cubbies permeated the halls. It had been years since Bellshore Public had been a working elementary school. Now the vines grew across the outside of the old brick and cinder block walls. The windows were mostly all painted shut, and the doorways were covered with plywood, and some were chained with heavy iron locks. In the playground, the old play structures had weeds and shrubs growing around them, and were rusting from lack of care. Some of the walls had been tagged by local graffiti artists, and the concrete around the rest of the yard had heaved and buckled with time and the shifting earth underneath. The school was one of those buildings that had seemed to just always be there. The neighbors couldn’t remember a time before it was built, and now that it had withered with disuse, the community mainly pretended it wasn’t there -- an eyesore, but mostly an invisible one. Except for the urban explorers. They loved the school and all the antiquated items found inside. It made a perfect subject for their photography. They had found secret ways of getting inside, and once inside they skulked about snapping shots of torn basketball nets, piles of desks, mountains of old rotting textbooks, broken cubby hooks and just about anything else they could find that looked like “urbex art”. Seth Collins was one of these young urban explorers. Just shy of 22, and still living at home with his parents, he had taken a gap year to figure out what he wanted to do with his life, and while working shifts at a local photography shop, he discovered that what he loved was capturing a beautiful and original photograph.
Mandy Albania WeinerPublished about a year ago in Humans
