album reviews
Reviews of albums old and new from iconic artists and up and coming musicians alike.
Diggy's Second Unexpected Arrival
Diggy’s debut album Unexpected Arrival came out about six years ago and had three singles that did fairly well on the charts and on 106 & Park (RIP). After the album was released, Diggy turned 18, which meant that his music took a drastic turn and included more cursing and more mature topics, shocking much of his young tween audience. The transition was expected, but it was a bit abrupt. Especially since Diggy all but disappeared soon after. He released a handful of songs and “freestyles” over the six years that clearly demonstrated that his artistry was improving, but there was nothing mainstream nor a full body of work.
Azaria BrownPublished 5 years ago in Beat'New Yuck City' and 'IIWII' Review
'New Yuck City' Dirty Sanchez stole the show on “Audiopium,” the final track on the Nyck @ Knight mixtape by Kirk Knight and Nyck Caution. The track was named after the term “audiopium,” coined by Capital $teez on Joey Bada$$’s “Killuminati” and features all of Pro Era within two tracks and a hook. While each member delivers a powerful verse, in an incredibly quick and concise manner, Dirty Sanchez stands out. Not only is his verse longer than the others, but his voice has a raspy quality that works incredibly well with the beat and his high level of energy. His “Audiopium” verse in addition to his verses on tracks like “Pro Era Cakes 2” made me really anticipate his New Yuck City project.
Azaria BrownPublished 5 years ago in BeatReview: 'Some Rap Songs' by Earl Sweatshirt
The new album from Odd Future alumnus Earl Sweatshirt is called, simply, Some Rap Songs. On the surface, the name fits an album that sounds almost like a mixtape; a chaotic, near-schizophrenic barrage of minimalistic rap sketches, cramming 15 tracks into a tight 24 minutes. A relentless barrage of conceptual thumbnails, each track focuses on a different singular point or thought, with no respite between them. Not much in the way of real hooks but plenty of refrain, just to drive his points home. Earl Sweatshirt’s lyrics often deserve to be repeated.
Toby HickmanPublished 5 years ago in BeatDavid Byrne: Still Making Sense
"All I want is to breathe." I hear you, David, I really do. It's sweltering in the Hammersmith Apollo in west London, and the sweat is pouring off me. And the beat goes on, as Byrne's band power through the opening track from Talking Heads' Remain in Light album, "Born Under Punches."
Andrew BeasleyPublished 5 years ago in BeatIt Came from BandCamp Volume 2
When doing the 365 albums in 365 days challenge I have heard a lot of odd things on the old BandCamp. So I started to think... hey some of these are pretty good! And some of these are so bad they are entertaining! But not a lot of these get much exposure, so I am continuing these monthly lists and giving a few of my favorite finds, from the dredges of BandCamp, a bit of a micro-review!
Rip MitchellPublished 5 years ago in BeatRaoul Vignal - 'Oak Leaf'
Often, when an artist is coming up with music that is subtle, often gentle, and is not a widely established name, somehow he keeps slipping under the radar of the wider audience. Some do make it, others fall into the shadows, and those that do have an enduring quality eventually reach the ears of more than just a cult fan base, even after they stop playing or are sadly gone. Such was the case with the late, great British singer/songwriter Nick Drake, who has only in the last few decades gotten the wider recognition he should have garnered way back in the 70s when he was still among us.
Ljubinko ZivkovicPublished 5 years ago in BeatLate Review: My Bloody Valentine's 'Loveless'
Would you listen to a music genre called "shoe-gazing?" Aside from the peculiar name, shoe-gazing can be described as an off-brand, British version of indie rock and alternative rock that emerged in the 1980s. Pioneering the sound, My Bloody Valentine's music projects provided musicians and artists templates to start from, reaching peak critical success with the album Loveless, released in 1991.
George GomezPublished 6 years ago in BeatBlack Tongue's 'Nadir' Is the Jedi the Metal Community was Looking for
This current year, 2018? Quite a year for music. Bands like Soreption, Behemoth, Revocation, Aborted, Irreversible Mechanism, Dragonlord, and a whole bunch of other groups dropped pretty solid albums. While I disregarded some records, like Anaal Nathrakh's new one. Heard it was pretty good. But in general, it's been a fairly busy year. Back when 2017 was ending, and there was some pretty anticipated and praised records, that streak just seemed to have not stopped. The music senses continued to tingle until something sparked in my head.
Chase PozziPublished 6 years ago in BeatMUSE—'Simulation Theory': The Super Deluxe Review
If you're a friend of mine or indeed have stood anywhere in hearing distance of me, chances are you know I'm a big fan of Muse. They've been my favourite band for nearly a decade and I've enjoyed everything they have put out thus far.
Peter EllisPublished 6 years ago in BeatThe Voice Inside My Head: What We Can Take from Blink 182’s Self-Titled Album 15 Years Later
The early millennium saw a change in America, the world, and Blink 182. If you were coming of age in the turmoil that was post 9/11, growing up in uncertain times, when the usual narratives disintegrated into dust, Blink grew right beside you. They released their self-titled album, usually meant for a debut, but one could easily call this a re-birth. The early part of the decade forced us to move, to think, to grow and Mark, Tom, and Travis did that on this album, without hesitation. It was 2003, two years after the towers fell. The war in Iraq was caught on camera, the Lord of the Rings movies were the biggest films in the United States, and Blink dropped an album after a hiatus. The world was still shook in the aftermath of 9/11. Fear, paranoia, and darkness flowed from newsstands to newsfeeds, while war and xenophobia bounced in and out of thoughts and conversations. This album wasn’t meant for the world though, it was meant for you, and you alone.
Kendra Brea CooperPublished 6 years ago in BeatReview of 'Narrated for You' by Alec Benjamin
Alec Benjamin had recently tasted mainstream success with his single "Let Me Down Slowly," which isn't his first hit, but was definitely his biggest hit to date. In 2016, Benjamin released a song, or the demo of a song, called "Water Fountain." This track, the story of girl that is in love with a boy who only wants her for her body from the point of view of the boy who truly loves her, currently has 11 million YouTube views and is steady climbing.
'Simple Man' - Klaus Nomi
Klaus Nomi's fascinating discography is short; two studio albums and a handful of compilations after he passed away, along with singles that seem to be out of print. I think the guy had terrific talent and bravery.
Chloe GilholyPublished 6 years ago in Beat