album reviews
Reviews of albums old and new from iconic artists and up and coming musicians alike.
My Exclusive Interview With Kirstie Gregory
Some songwriters can do it all, and Kirstie Gregory's not the type to limit herself to one genre. From folksy tracks to soft, ethereal vocals, her discography covers a wide range of subjects, genres and moods, making her a versatile artist who can tackle any assignment you give her. Essentially, there's something for everybody--and once you've learned about her process, check out her full-length album, This Is The End, to hear the full spectrum of her talents.
By Kaitlin Shanksabout 11 hours ago in Beat
My Exclusive Interview With Sirena
When you listen to sirena's music, you're diving into a shadowy world of late-night performances, dark city streets and angelic harmonies that practically lift you off the ground. In fact, her music and aesthetic are so intertwined that it seems like a mistake to enjoy one without the other. This interview dives into the thought process behind her hazy blue snapshots and deep, passionate records--and once you return to the surface, you'll feel like part of your subconscious is irrevocably changed.
By Kaitlin Shanksa day ago in Beat
My Exclusive Interview With Camilla Manor
Forests, blue skies and summer breezes are a few of the things that define Camilla Manor's aesthetic, and she skillfully incorporates her love for nature to create relaxing bedroom pop--which, occasionally, has a dark undercurrent beneath the cozy, lo-fi production. She's also found success as an online fitness instructor, with over 30,000 subscribers waiting to see what she'll post next. Her first album, Loop-de-Loop , takes inspiration from a variety of places--her childhood, her relationship, her trips to Big Sur--to create a cohesive work that practically spans an entire lifetime.
By Kaitlin Shanks3 days ago in Beat
My Exclusive Interview With Siichaq
Siichaq (pronounced "sea-check") is an indie artist, but she's not one that you can easily pin down. She blends a variety of sounds, themes and genres into her musical soundscapes--and just when you think you've got it figured out, she surprises you again. Her latest album, The Righteous Sword , is so complex that this interview doesn't quite cover everything. Fortunately, you don't have to imagine what it sounds like: once you've learned about the songwriting process, you can listen for yourself and enjoy the transformative journey.
By Kaitlin Shanks4 days ago in Beat
Notes from the Mind Palace
Karaoke isn’t just singing for me — it’s a personality test, a confession booth, a therapy session, and a threat all rolled into one. My lineup is chaotic on purpose. It’s designed to confuse people, amuse people, scare people, and remind myself that I’m still alive. I also do it alone. So there is that.
By Syl De'Vil7 days ago in Beat
Notes from the Mind Palace.
Music doesn’t just “inspire” me. It rewires me. It grabs my skull like it’s trying to tune a radio, and suddenly every part of me snaps into alignment. My thoughts stop tripping over each other. My nerves stop buzzing. The world gets quieter, even when the volume is stupidly loud. I don’t listen to music — I use it. The louder the music gets, the quieter those internal voices become — the ones that try to tell me I’m nothing, the ones that show up when I’m tired or hurting or stretched too thin. Volume becomes a shield. Bass becomes a boundary. A song becomes the thing that steps between me and the parts of my mind that don’t always play fair. It even helps with the autoimmune pain. Not in some magical “healing frequency” way — just in the way drowning in sound gives me something stronger to focus on than the ache. When the music is loud enough, my body stops screaming for a minute. I get a little space. A little breath. A little control. It’s the switch that flips me from “overstimulated parent with seven kids doing parkour through my sanity” to “feral writer pacing the room like a crow deciding which shiny object to steal.” If the song hits right, my whole brain goes cinematic. I stop seeing words and start seeing scenes: fog rolling in, headlights cutting through it, someone yelling in the distance, maybe something crawling out of the dark that shouldn’t exist. Music is the fuse that lights all of that. People think playlists are just background noise. Mine are battle plans . Each song is a mood, a memory, a weapon. Some tracks drag me back to Maine. Some drag me into the fog. Some drag me into the parts of my head I don’t talk about unless I’m writing. And some songs hit so hard I feel like I’m remembering a life I didn’t actually live. Music is the only thing that can match the chaos in my head without getting drowned out. It’s the one thing that keeps me steady. It’s the one thing that makes the stories come out clean instead of tangled. Music doesn’t just affect me. It possesses me. And honestly, I let it — because it’s one of the few things that makes the noise inside me survivable. Music doesn’t just affect me — it kidnaps me. It drags me by the hair into whatever universe it feels like throwing me into. And the louder it is, the quieter everything else gets. The voices that tell me I’m nothing? They get smothered under layers of distortion and screaming. They can’t compete with a sonic avalanche. I listen too loud everywhere. Car? Loud enough to rattle the bolts out of the doors. Shower? Loud enough the shampoo vibrates. Headphones? Weak. Earbuds? Pathetic. Party speaker? Coward. Nothing gets loud enough. So I keep turning it up anyway. Because when Yeah Yeah Yeahs — “Y Control” hits, something in my chest snaps awake. It’s like someone kicked the generator in my soul and yelled RUN . When Tegan and Sara — “Dark Come Soon” comes on, the world finally dims enough for me to breathe. Tiger Army — “Valley of Dreams” drowns the autoimmune pain under rhythm and pulse. Choking Victim — “In My Grave” lights a match in my ribcage and tells the darkness to fight back. Rancid — “St. Mary” is every too‑fast drive I’ve ever taken. Bad Brains — “F.V.K.” is adrenaline in audio form. Talking Heads — “Psycho Killer” is the part of my brain that laughs at the chaos, and shakes her butt a little at the sound. Social Distortion — “Far Behind” is grit and memory. something I would rather keep to myself. Bad Religion — “Generator” is the spark that keeps me writing. reminds me that there's more than what you see. Dramarama — “Anything, Anything” is the scream I never let out and the song I sing every time I feel like I could fall in love. then remind myself that love... its not for me. Then there’s The Church — “Reptile” , crawling under my skin like electricity. And Misfits — “Devils Whorehouse” , kicking open the door to the feral part of my brain. But you want chaos? Here’s chaos: Otep — “Special Pets” makes my blood feel like it’s boiling. It’s the one that shuts the internal voices up because they know they can’t compete with that kind of rage. Tool — “The Pot” hits like someone dropped a brick through my skull and rearranged the furniture inside. Mudvayne — “Dig” isn’t a song — it’s a detonation. It’s the moment the world goes white‑hot and I stop feeling anything except the beat. Volbeat — “Still Counting” is the soundtrack of every time I’ve said “I’m fine” while absolutely not being fine. Marilyn Manson — “Kill 4 Me” slinks through my nerves like a threat wrapped in velvet. Chevelle — “Take Out the Gunman” is the pulse that keeps me upright when everything hurts. Incubus — “Nice to Know You” is the moment I slam the door on the past and don’t look back. A Perfect Circle — “Magdalena” turns my brain into a cathedral full of ghosts. Straight Line Stitch — “Conversion” is the part of me that refuses to die, even when everything else is screaming. Wage War — “High Horse” is the moment I stop apologizing for being loud, chaotic, messy, and alive. "Teeth" the song that reminds me exactly where I stand with those in my life. These songs aren’t just tracks — they’re weapons . They’re shields. They’re pressure valves. They’re the only things loud enough to drown out the parts of me that try to drag me under. Music is the only thing that matches the chaos in my head without getting swallowed by it. It’s the one thing that keeps me upright. It’s the one thing that makes the stories come out clean instead of tangled.
By Syl De'Vil7 days ago in Beat
Prince reigns at the 2007 NFL Superbowl half time shown
To me Prince's 2007 performance at the Super Bowl was the best performance of all time and I say not only because I am a lifelong Prince fan but also because his performance was the best ever and they are still talking about it. His performance was nothing short of supernatural and phenomenal. I don't remember which football teams were playing against each other that year but this Prince was the thing to remember and the only reason why I watched at all just to see Prince kick ass as he had always done and should still be here, May Prince rest in Power and Peace.
By Revista Miko:XCI 9 days ago in Beat
The first album that I have ever had…
In the late 80’s a radio station where I lived called 101.5 WPDH a now classic rock radio station held a contest at shop rite supermarket and they drew my name from a hat or a roller and I won the Cinderella album in 1988. For some time for whatever reason I couldn’t play it so years later I did play it and it had all the or some of their hits like “Gypsy Road”, “Don’t Know What you got till it’s gone” which was the power ballad that every Hair Metal band needed to have on their album, though these were the stand out hits from the album at least in my point of view.
By Revista Miko:XCI 14 days ago in Beat
My Exclusive Interview With Chloe Drallos. Top Story - September 2026.
With Western-inspired aesthetics and dark, unsettling videos, Chloe Drallos doesn't just release albums: she builds a surreal world with mysterious figures, Americana imagery and echoing vocals that make you imagine a cowgirl riding alone at sunset. Her latest record, The Cave , is a haunting addition to her discography. In this interview, I learned more about The Cave , her conglomerate (it's not what you think!) and how she used her influences to shape the Acid Western genre.
By Kaitlin Shanks15 days ago in Beat
Jagged Little Pill by Alanis Morissette
Alanis Morissette released an alternative music masterpiece in 1995 called Jagged Little Pill and that was the year that Alternative music was really hot and the flannel fashion thing had just happened, i got this album and I loved it i was always sitting in my room listening to it because to me it was a fresh and exciting new sound that I had never heard before period I first saw the single hand in my pocket and the video for it on VH11 late night when it first came out. The premise of the you of the hand in my pocket video was some type of weird and strange black and white parade with Alanis Morissette dressed in a black and white suitDriving around singing her lyrics and stuff well interesting thingsWe’re happening around her as she sang the lyrics to her songPeriod well I don’t know what the song really meansI just know it was a really good song that I liked a lot everything about it was greatIt was very tongue-in-cheek andI still don’t know what hand in my pocket really means but I’m willing to bet just you knowLayback and take things as it comes I guess and you know just go with the flow I mean I’m just spitballing here but that’s the kind ofIdea I got from just listening to this songIn general.
By Revista Miko:XCI 15 days ago in Beat
