album reviews
Reviews of albums old and new from iconic artists and up and coming musicians alike.
DaKidRiz: Just Releases New Highly Anticipated Album "Delight"
DaKidRiz is an artist who comes from the Canton, Ohio area. He first appeared on the rap scene in 2014 with his first song release titled “Ohio'' that he dropped on Soundcloud. This artist is highly underrated. His first debut single that catapulted his career was called “I Aint Got No Choice” which was released in 2015. Since then this artist has not been letting up. He will stop at absolutely nothing to see his music become a successful venture for him. He not only wants to make more money for himself and his family, but also his community. He is dedicated to his craft and knows what it takes to get where he wants. He is currently managed by Adam Cole. Adam Cole is an on-air producer who holds a ton of experience and expertise under his belt. Teaming up with DaKidRiz will help both brands move swiftly throughout the industry. DaKidRiz is making some power moves.
Gabby ComfortPublished 3 years ago in BeatThe ILoveMakonnen "My Parade" EP is an absolute summer smash!
So let me guess, you're looking for a new playlist for your hot girl summer? Looking for that pool party jam or that new slow romance banger that hits home when you're tipsy? Well, look no further because ILoveMakonnen has dropped his latest project, "My Parade", just in time before the summer heats up with overnight pregnancies, hotel madness, and dancefloor strip teases. In case you don't know who ILoveMakonnen is, he's an Atlanta native who advocates drinking more water, which can be seen in his "Drink More Water" mixtape series. The "My Parade" album is his newest project and his most authentic project.
Geizael, The Great Wicked DestroyerPublished 3 years ago in BeatSeven Days In Krautrockland
At the end of the sixties many bands had dabbled with non standard music, such as the Grateful Dead and Pink Floyd who were not averse to producing extended soundscapes based on the actual sounds rather than standard song progressions.
Mike Singleton - MikeydredPublished 3 years ago in BeatNatures Memories ~B O Ḵ Ë
Striking gold while scrolling Instagram is exactly the feeling I had when finding B O Ḵ Ë. Immediately I sent his artistry to all the music heads I know. When B O Ḵ Ë sent me an album release announcement, I stopped what I was doing, right-that-second knowing I was about to embark on a wonderful journey of sound.
Tess TimmonsPublished 3 years ago in BeatDelvon Lamarr Organ Trio,
The sophomore studio effort from Seattle’s Delvon Lamarr Organ Trio is one of those fantastic records that manages to throwback just hard enough to take you there, also remaining fresh by mixing in modern touches and transforming a somewhat dated instrument and sound into a brand new amalgamation, a fresh energy for the ears. And I don’t mean to say organ music is dated, the instrument has never gone away and I’m well aware. What I’m getting at is those stellar late 60s, early 70s organ records made by guys like Jimmy Smith, Brother Jack McDuff, Rueben Wilson, and Jimmy McGriff (that quartet right there is probably responsible for at least 15% of Beastie Boy samples). Those albums fall effortlessly into either the jazz or soul sections on your record shelves, spinning that musical sweet spot where styles and genres meld into something greater than their parts. You could argue those albums birthed Funk.
Jesse StanekPublished 3 years ago in BeatSo, This is What Triumph Feels (Sounds) Like
When I was about 10... I used to wander around the playground at lunch. I would abandon my friends and take my unwieldy, oversized body to the grassy sprawl that was the school yard. Headphones on, Walkman in hand, a small case of CDs in my backpack.
Andrew Martin DodsonPublished 3 years ago in BeatA Superswiftie Review of All the Songs from FOLKLORE and EVERMORE
Anyone who knows me knows I am a die-hard Taylor Swift fan... I don't even think I talk about her that much but I must give off the Swifitie aura because even people I hardly know just KNOW.
Goodbye, Fearless
It's been one hell of a year for Taylor Swift. Since July of 2020, she's released two chart-topping albums, graced the cover of Rolling Stone with Paul McCartney, and won the coveted Grammy for Album of the Year. And tonight at midnight, her fans will begin our journey into the re-recordings of Swift’s first six albums. More on the reasoning behind that here.
Demi Lovato on Dancing with the Devil and Starting Over
Demi Lovato released her seventh album titled Dancing With The Devil...The Art of Starting Over. This album goes along with Lovato's second documentary with YouTube also titled Dancing with the Devil. Both the album and docuseries focus on the singer’s battle with addiction and eating disorders. After her overdose and recovery in 2018, both the release of her newest album and YouTube docuseries have been long-awaited by her fans. Some album features include Ariana Grande, Sam Fischer, Noah Cyrus, and Saweetie.
♫ To Shuffle or Not to Shuffle? ♫
I had the good fortune to grow up in house that was full of music lovers. As a child I was exposed to every genre from folk to classical and everything in between. Personally, I like music from all the genres except gospel. For instance, there are a handful of country songs I like; as well as a few EDM (electric dance music) songs. I have been to a variety of concerts: Aerosmith, Collective Soul, Eddie Money, Garbage, Leann Rimes, Great White, and Kiss.
Kristen ReneePublished 3 years ago in BeatThe Evolution Of Taylor Swift
There are many reasons why Taylor Swift has become an iconic singer/songwriter in her own right. The personal and artistic lyrics are enough to cement her name in history. She also manages to succeed in multiple genres and overcome staggering controversies. Taylor has evolved not only as a musician but as a person. That evolution is evident in her extensive discography. She has gone through many phases in her already long career.
Sarah LoydPublished 3 years ago in BeatStation Grau by Praying for Oblivion
It isn't often I review the works of people on my social media friends list--I will always share a link or info about their projects, but, rarely, will I do as much as offer an opinion. Something inside me resists doing this; perhaps I'm simply scared that I'll offend them somehow. In the case of music, or even experimental power electronics or noise, or musique concrete, there is the added burden of describing the indescribable; of judging something that, frankly, is so anti-commercial, so outside the conventional, that to try and assess it based on normal standards is somewhat ludicrous. At any rate, I found myself tonight listening to a link provided by PE artist Andrew Jonathan-Seal, who is, I take it, an expatriate living somewhere in Europe. I've found him to be an interesting individual as far as the people I know strictly electronically; he's always been tolerant of me, and the pictures I've seen of his performances are impassioned and impressive.