Poems published by the Renard Press.
Published as part of Anthologies.

I have been privileged to have been published on three occasions by this fabulous independent press. I have received incredible support from the owner and editor Will Dady. Renard Press is a carbon neutral publisher and a vocal supporter of the LGBTQ+ community. Check out their books on https://renardpress.com.
It started in Lockdown. I hadn't written anything for a long time until being offered a fee to write something for the amazing Skimstone Arts https://www.skimstone.org.uk. Check them out, they are phenomenal. Anyhow from that first venture back into writing I submitted a poem based on a dream my partner Mick had had at the beginning of the isolation period. I put forward Tsunami to be included in an anthology published by Renard Press. To my surprise I was longlisted and then shortlisted to be published. The Anthology is called New Beginnings and to quote the editor Will '... is a poetry collection with a difference resulting from an international competition seeking to find those whose voices were silenced in 2020...' It has, as all poems do, evolved from this edit, however I remain fond of the original and its unedited nature which just tells of the dream which in turn allowed my husband for the first time in our long relationship, to share just how scared he was.
Tsunami
My husband dreamt we were in a tsunami;
We were trapped inside a house in an air bubble,
Holding each other tight as the water surrounded the building.
Were we scared? I asked him,
Hoping it was an adventure dream where we would swim to the surface,
Saving women and children in addition to ourselves.
'Yes, we were scared,' he said.
'We were absolutely bloody terrified.'
April was a tough month. Financially frightening;
Our future still looks uncertain.
Physical and emotional illnesses erupted to the surface,
And several rejections from art funds and government support schemes
Causing blind panic - on occasion so overwhelming that we would be lying
If we told you we had not considered,
On more than one occasion,
Leaving it all behind.
And not in a good way.
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After that I entered the next years call out for the anthology Spectrum and again was lucky enough to be shortlisted and published. I submitted the poem Back to Black which was written in response to both the untimely death of Amy Winehouse and a discussion with a relative that same evening as they explained that 'sometimes I was a boy, but mostly I was a girl and it didn't matter.'
Back to Black (after Frank O' Hara, The Day Lady Died)
It was Saturday, 5.30pm.,
when he opened the door of the car,
and I can't remember if it was
cold or warm, but it was bright, and the
early evening sun tainted my view.
It was the day I told him
that sometimes I was a boy,
but mostly I was a girl
and it didn't matter.
I hadn't particularly listened to the news
but knew she was gone.
Gone alone and...
and I thought of my
future I was muddling,
but still it was a future
within the whisper of a song.
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The last anthology is called Kinship, published in 2023 and I was so privileged to be accepted again with my piece Lovesong. This piece resulted in trying to edit out every word that felt superfluous. Lovesong is about the times me and Mick use the bus and when we stand up before the bus comes to a stop I stand behind him and sneak a cuddle of his back.
Lovesong
And soon he'll say
'It's our turn'
And I will push myself upon his back
And inhale the smell from the tweed and the ointment
That calms his skin
Which then
In turn
Calms me
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About the Creator
Alyson Smith
Neurodivergent, working-class writer and artist diagnosed with Bipolar. Based in Newcastle-upon-Tyne. MA in Creative Writing. Currently waitressing while finishing my novel.
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