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I Quit Social Media

The 365-Day Experiment That Revealed Who I Actually Am Without an Audience

By The Curious WriterPublished 6 months ago β€’ 6 min read
I Quit Social Media
Photo by Hakim Menikh on Unsplash

THE ACCOUNT I DELETED AND THE LIFE I FOUND πŸ’»

I had 47,000 Instagram followers when I deleted my account on January first, a number that represented three years of content creation, approximately two thousand posts, somewhere between eight hundred and a thousand hours of time spent photographing, editing, captioning, and engaging with people I had never met and would never meet, and a meaningful portion of my professional identity as someone who was building a personal brand in the wellness and lifestyle space, and the deletion which took approximately thirty seconds to execute after which the account and everything it contained disappeared permanently was the most terrifying and most liberating thing I had done in years because it was the first major decision I had made in three years that was not made in relationship to how it would appear to the audience that had become the invisible committee I consulted before every significant choice in my life πŸ˜€πŸ“±

The decision was not made impulsively or dramatically but rather emerged from a realization that arrived gradually and then all at once during a trip to Arizona in November where I spent forty-five minutes trying to photograph the sunset in a way that would perform well in the feed, adjusting composition and waiting for better light and editing previews on my phone, and when I finally looked up the actual sunset was over, and I had been so focused on capturing a version of the experience that would communicate something to my followers that I had completely failed to have the experience itself, and standing in the dark with my phone full of acceptable but not excellent sunset photos I understood something that I had been approaching from multiple directions for months but had not been willing to see directly: that the audience had become more real to me than my own experience, and that I was living my life as content rather than living my life as a life πŸŒ…

THE FIRST THREE MONTHS: THE WITHDRAWAL 😰

The first week without Instagram produced withdrawal symptoms that I recognized intellectually as addiction responses but that did not become less powerful for being recognized: compulsive reaching for my phone in the specific pattern of checking Instagram which persisted even though the app was gone, phantom notification anxiety where I experienced the anxiety of not having checked notifications even when there were no notifications to check, the strange feeling of experiencing something beautiful or funny or interesting and having nowhere to put it because the processing habit of three years involved immediately translating experience into potential content, and a social anxiety about my own digital absence because I knew that my followers would notice my disappearance and that the narrative of that disappearance would be constructed by others without my input πŸ’­

The comparison anxiety which I had attributed to Instagram's content rather than to my participation in Instagram's system persisted for approximately six weeks after deletion because the neural pathways for comparative self-assessment had been so thoroughly established through three years of social media use that they continued generating comparative thoughts even in the absence of the platform that had cultivated them, and I found myself measuring my days against the imagined days of people whose content I could no longer see but whose presence was still vivid enough in memory to serve as a comparison standard, and the recognition that the comparison mechanism had internalized itself so completely that it operated without any external trigger was one of the most disturbing realizations of the entire year 🧠

Month two was characterized by what I can only describe as the experience of meeting myself without an audience, because three years of constant content creation had produced a version of me that existed primarily in relationship to how she was perceived, and removing the perception relationship left a self that was surprisingly unfamiliar, unsure of what she genuinely enjoyed versus what she had been performing enjoyment of, unsure of what she actually believed versus what was good for engagement, and unsure what to do with time that was no longer structured around content creation cycles and was suddenly just time to be used for whatever I actually wanted to use it for, which required knowing what I actually wanted in ways that audience-oriented living had made unnecessary to know πŸ€”

THE MIDDLE MONTHS: THE DISCOVERIES 🌱

By month four I had developed new routines that filled the approximately two hours daily that Instagram had consumed, and the specific activities that emerged into that space revealed preferences I had not known I had or had forgotten I had: I started cooking elaborate meals not for photographs but for the pleasure of eating them, I started reading novels which I had not done since college because reading did not produce content, I started taking long walks without my phone for the specific pleasure of being in my body in a physical world without the mediation of a screen, and I started having conversations with friends that lasted for hours and that covered depth of territory that our previous interactions which were frequently interrupted by content capture opportunities had never reached πŸ“šπŸšΆβ€β™€οΈ

The quality of my friendships transformed in ways I had not anticipated because the removal of the social media layer that had been mediating many of my relationships revealed which friendships were genuine and which were primarily social media adjacencies, people I followed and was followed by and occasionally commented with but who I did not actually know and who did not actually know me, and this revelation while briefly painful was ultimately liberating because it allowed me to direct relational energy toward the smaller number of genuine connections rather than dispersing it across the larger number of performed connections that social media had convinced me constituted a social life πŸ’•

Month six brought the discovery that without the continuous external validation of likes and comments and follower counts, my self-assessment was profoundly uncertain in a way that it had not been while those metrics were available, because I had been using external validation as a substitute for internal evaluation and in its absence I did not know how to evaluate my own worth, my own creative output, or my own daily choices without a number attached that told me whether they were good, and the process of developing internal evaluation criteria that were based on my own values rather than on external response was simultaneously the most important and most uncomfortable work of the year because it required me to decide what actually mattered to me rather than what received approval πŸ”

THE FINAL MONTHS AND THE DECISION πŸ“…

By month nine I had reached a relationship with my own experience that I recognized as qualitatively different from anything I had known during my social media years, characterized by what I can only describe as presentness: the ability to be fully in an experience rather than simultaneously in the experience and in the commentary on the experience that content creation requires, and this presence which sounds simple and obvious is actually radical in a media environment that has made simultaneous experience and commentary the default mode of engagement with reality, and the recovery of the capacity for pure unmediatated experience was worth every follower I lost and every professional opportunity I may have missed during the year of absence 🌟

The decision at year's end about whether to return to social media was the most carefully considered decision I made during the entire year, and the decision I made was to return in an entirely different relationship with the platform and with the audience, not as someone whose identity depended on the platform's metrics and whose experience was filtered through its demands but as someone who had a clear understanding of what she was trading when she shared her life publicly and who was capable of making that trade consciously rather than compulsively, and who had the self-knowledge necessary to maintain her actual life as distinct from her digital presentation of it πŸ’­

The specific changes I maintained after returning include never posting more than three times per week regardless of pressure to post more frequently, keeping my phone in another room for the first and last hour of every day, never photographing an experience during the experience itself but only after or instead of it, maintaining an active practice of asking myself before posting whether this post is for me or for the audience and what I am hoping to receive from it and whether that need could be met through other means, and most importantly treating the number of followers and likes as interesting data rather than as validation of my worth, which requires maintaining the internal evaluation criteria that the year without an audience forced me to develop from scratch πŸ’›πŸ“±βœ¨

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About the Creator

The Curious Writer

I’m a storyteller at heart, exploring the world one story at a time. From personal finance tips and side hustle ideas to chilling real-life horror and heartwarming romance, I write about the moments that make life unforgettable.

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    Written by The Curious Writer