So let’s dive right in and say of course sales can be more profit than streams as far as a cost to consumer. But let’s also keep in mind the vast difference in gaining a stream versus gaining a sale. As of right now, the streams to sales ratio on a single song is as follows:
Six months ago, the world that we live in, changed. For the first time in our lifetime, the chaotic rhythm of everyday life was interrupted and put to a rather dramatic stop. Millions around the world became confined to their homes, and while social isolation can be detrimental, for music, it doesn’t have to be. As the world began to realize itself, Consci Music was born.
To kick off the Artist Interviews series I was lucky enough to get some answers from the man Karl Lane (a.k.a Komb). He’s a producer/composer/musical all-rounder with a love for everything from orchestral and classical music to post-rock and heavy metal.
Do you know how many great artists have started their career from YouTube? One of them is Justin Bieber, who was very young when he began to share his art with others. He was doing covers of famous songs, and step-by-step he started to promote music videos on YouTube. One of his first uploads is the cover of Chris Brown’s song, which he posted 12 years ago.
Today’s music industry is like nothing we have seen or had available to us before. With a plethora of excellent music sites dedicated to giving musical talent the chance to upload their music is rising. Talent scouts can no longer turn down potential stars because they personally do not see potential. This is because if someone’s music is popular across a certain genre, it is undeniable thanks to likes, comments, downloads, and music sharing.
With online websites that allow you to upload your music becoming very popular, making sure music uploads remain popular means guaranteeing that you are uploading high-quality music. It is not just about your musical talent but also how clear your downloads are. In this guide, we will explore 3 ways to make sure your music is not only noticed by your target audience but is continuously downloaded.
For Britain’s independent music scene, lockdown is taking a toll. Venues are closed, so no gigs. Studios are closed, so no rehearsal space or recording time. The innovation shown in producing virtual performances can plug a gap, but it struggles to recapture the thrill of performing live in front of an audience. Even though the easing of lockdown means pubs can reopen this weekend, bars that specialise in live music are ordered to keep their stages closed.