Paul Levinson
Bio
Novels The Silk Code & The Plot To Save Socrates; LPs Twice Upon A Rhyme & Welcome Up; nonfiction The Soft Edge & Digital McLuhan, translated into 15 languages. Best-known short story: The Chronology Protection Case; Prof, Fordham Univ.
Stories (697/0)
Review of 'Munich: The Edge of War'
I guess this was a perfect night to watch Munich: The Edge of War on Netflix. Russia is on the verge of invading Ukraine. The Trumpists -- including Trump himself -- have still not been brought to justice for their insurrection and attack on our Capitol last January 6. And the movie is based on the novel Munich by Robert Harris, author of the alternate-history masterpiece Fatherland, in which Germany won the Second World War. Not as much of a masterpiece as Philip K. Dick's The Man in the High Castle (made into an incandescent series on Amazon), for sure, but I'd watch a movie based on a Harris novel any time.
By Paul Levinson2 years ago in The Swamp
The Lip-Synching Scene in David Lynch's 'Blue Velvet' as a Touchstone Transcendent Moment
David Lynch was 76 years yesterday -- happy birthday! That made me think about my favorite scene in all of David Lynch's great work, and, for that matter, probably in any movie I've ever scene: Dean Stockwell lip synching Roy Orbison's "In Dreams" in Blue Velvet back in 1986, with Dennis Hopper doing a fine job as that deeply sick guy, who tries to join in the lip-synching, but whose demons won't allow him the succor of dreams.
By Paul Levinson2 years ago in Geeks
Review of 'Playhouse Presents: Snodgrass'
My just-published Beatles alternate history story, It's Real Life, is getting some good response. Over in the Steve Hoffman Music Forums, someone (Wildest cat from Montana) recommended that I see a short 2013 movie Snodgrass -- actually a 24-minute episode of a British series of standalone dramas, Playhouse Presents, that ran from 2010-2015.
By Paul Levinson2 years ago in Futurism
Review of 'Station Eleven' Finale
What a glorious, hopeful finale to the masterful television series known as Station Eleven. An ending so uplifting, in a story of humanity beset by a virus that kills 99% of the population, that it can serve as beacon of hope, a map to a better world, in our own world, also beset by a deadly virus, but far less lethal than the deadly flu in Station Eleven.
By Paul Levinson2 years ago in Futurism
Review of 'Needle in a Timestack'
For some reason, I just saw something about Needle In A Timestack late last evening. It's been streaming on something called Amazon Instant Video -- apparently since the end of this past October -- and it costs 99 cents to see. It will be on Amazon Prime Video, presumably for free, on January 28. Now, ordinarily I'd wait the two weeks and see it on Prime Video. Readers of my reviews will know I'm a cheapskate. But, by my reckoning, not only does time wait for no one, neither does time travel, or at least time travel narratives should not be obliged to wait. That, and the fact that the movie is based on a story by Robert Silverberg (which I haven't read), a great writer whom I not only admire but know fairly well, tipped the balance.
By Paul Levinson2 years ago in Futurism
Review of 'Station Eleven' 1.8-9
Station Eleven is such a deep and deeply nuanced story, it's going to be talked about and studied for years, even decades, to come. Just as episodes 1.8 and 1.9 coax us through these times and time spans. If this characterization seems a little more poetic than usual, it's because Station Eleven is itself pure poetry.
By Paul Levinson2 years ago in Futurism
Review of 'Les Bicyclettes de Belsize'
As I mentioned on Twitter, Facebook, and all the usual places, I just added Engelbert Humperdinck's "Les Bicyclettes de Belsize," his 1968 hit record which I always loved -- and thought I loved more than I should have -- to my Science Fiction and Fantasy Songs playlist on Spotify, as you can see below. It's the 16th song on the list, but they're not in any kind of ranking. "Les Bicyclettes de Belsize" just seemed to go well with "Over the Rainbow," at #15. Both after all are fantasy songs, both come from motion pictures with fantasy narratives, and both motion pictures are musicals.
By Paul Levinson2 years ago in Beat