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In a recent Omni article, "New Words Were Needed," I looked at some of the commonalities between modernism and science fiction. After inventorying some of the ways science fiction transposes modernist formal concerns to the level of story, I wrote, "And those are just some of the techniques of modernism; I won't even mention postmodernism."
M. Thomas GammarinoPublished 8 years ago in FuturismHidden 'Star Wars' Easter Eggs
A list of hidden Star Wars Easter eggs is sure to hold at least one surprise for just about every Star Wars fan out there. Star Wars is a classic that has stood the test of time and is possibly the most recognizable sci-fi series to date. It has inspired generations since its making in 1977, and is inspiring new generations with its reboot. With each super series comes super fans. For our Star Wars fans, here are some of the greatest hidden Star Wars Easter eggs from the first six movies.
Stephen HamiltonPublished 8 years ago in FuturismCan Scientific Theory Prove Philosophical Ideology?
Philosophy was once the domain of the purely speculative—the nearly abstract. A well-known philosophy department posed the question, "What is human?" The questions were too complex. The answers available only to God. That is, if there is a God.
Joshua Samuel ZookPublished 8 years ago in FuturismSci-Fi's Obsession with Ancient Egypt
At first it sounds contradictory; isn’t science fiction all about what the future holds? But in looking back to a time before toothbrushes and iPads and breakfast cereal, you can get really philosophical without all the minutia that threatens to dominate life today. (Notice that I said you can, not that you have to - some of these films are just here to have fun.) If you love Ancient Egypt AND aliens and spaceships and futuristic weapons, now you can have both in one magical sandy pyramid-shaped package.
Sarah QuinnPublished 8 years ago in FuturismFlesh Gordon
Since aliens from outer space are constitutionally way ahead of us puny Earthlings in everything from interstellar technology to galactic government, it was merely inevitable that they should have the edge on us in the dubious field of pornography. And it was equally inevitable that America's favorite space-age hero (or a near facsimile) should go getting himself involved in battling this erotic menace from distant worlds. Such cosmic combat is the main theme in a sci-fi spoof Flesh Gordon, a Graffitti production, directed by Mike Light-Veteran and produced by Bill Osco and Howard Ziehm, who apart from producing the hardcore entertainments of Mr Light were also involved in Hollywood Blue. With the million dollars they made from these three porn movies, Messrs. Osco, Ziehm and Light decided to risk all on an X-rated space movie, the first of its kind in the world (or any other world), and the most outrageous interpretation of the science-fiction ethos since Barbarella, one of the best sci-fi cult classics of all time. Playing the principal role of Flesh Gordon is 24-year old Jason Williams, with Suzanne Fields, a 35-23-36 green-eyed blonde, as Dale Ardor, his female lead.
Eddie WongPublished 8 years ago in FuturismThe Young & the Jedi - Remember Folks, 'Star Wars' Is a Soap Opera
The fantastic force of Star Wars is back in our collective awareness in a really big way—like it or not. After Disney purchased the film rights from George Lucas in 2013—along with his legendary special FX company ILM—the house of mouse fast tracked new movies and various spin-offs. As genre fans now fully absorb the respected saga’s new characters and ramifications and try to embrace The Force Awakens, the newest chapter to the Lucas sci-fi universe, old questions and observations on the pop-culture saga emerge. Why is this multi-billion dollar global franchise so preoccupied with family dysfunction? Does Luke Skywalker have more in common with Luke from General Hospital? As Rogue One looms on the horizon, can we expect more of the same?
Will StapePublished 8 years ago in FuturismZero Tolerance
‘So this is how it ends,’ he thought as two large soldiers lifted him from behind and pushed him against the door of the transport ship. ‘How did it come to this? And so quickly?’
Robert Helms 'Guinea Pig Zero'
Our country’s pharmaceutical industry demands rigorous testing of potential drug agents, human trials that sometimes drag on for weeks or months. Test subjects must often monotonously return to get blood drawn, abstain from normal activity, or keep meticulous notes about their side effects. But, at the end of the trial, it’s a quick couple thousand dollars in your pocket. This is precisely the kind of work that draws those on the margins of society, those who are willing to dose themselves with the latest psychiatric concoction and live in a confined clinic for a few weeks. And we need them—these guinea pigs. Without reliable test subjects, America doesn’t get its drugs.
Kelly BourdetPublished 8 years ago in Futurism