It’s June twenty-eighth
The house is filled with sunlight while nobody is home
The ground floor is clean, spacious, picturesque, dusty in the corners, a family's worth of shoes sit on a mat by the front door
There are many pictures of the same few people hung up on the walls, displayed on all available flat surfaces in packs of three or four
The older photos depict a family of four.
The older photos depict a teenage girl with her high school volleyball team, posing in polite smiles on some beach somewhere
The teenager is tan and smiling
There are large spaces between time periods
A snippet of two infants and their mother sits on a coffee table beneath a hung frame showing two smiling teenagers in cap and gown
The young man’s hair is bleached blonde in someone’s backyard, a jarringly unnatural red on a carousel, light brown at a funeral.
Everyone’s eyes become darker
There is a noticeably aged quality to every photo in the exhibition
The young boy gains weight
The girl does too, then loses it sometime after mom’s hair has begun to gray at the roots
The (real) smiles on the walls only come from faces whose adult teeth have not yet all arrived
My favorite shows two young kids laughing at a kitchen table covered in recently spilled chocolate milk
Those kids don’t really seem to be in many photos
There is a middle aged man in the older pictures.
He seems able to do two things: support children on his lap and stare miles out into a horizon no one else can see.
The kids can be seen cocking their small heads to study his predictable expressions
The newest picture frame still has a price sticker stuck on the stand
It shows three people, one fat, one old, one sad, eating burgers and fries together in the dining area of a fast food restaurant
About the Creator
Michael Peters
A good perception
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