White line, white line, white line marking the
passage of time –
and space. Going and coming, a black tar road under a
setting – no – rising sun.
Wrinkled eyes grow small,
and I protect her every part of her
as we go. No – as we come.
God have mercy on the confused souls.
Soft grass, a coiled black snake,
headlights illuminating oak guarding black tar
water. And a stereo – the only light of the dark inside
"where we say all the secrets we hide".
His hand on my back, marking the
passage of time –
and space. God have mercy on the ones we couldn’t save.
Fingers clasping my hands
pulling my arms overhead,
A leg hooked over mine and the power
of a ball shooting downfield.
Two pinkies raised, and we chuckle in the stands
until a gasp, a red card. Time moved too fast for -
a swell of pride. He reels in pain.
I missed if he was coming or going.
God have mercy on the fallen - and the ones who felled.
Short skirt, balmy heat, the smell of piss on
Bourbon Street. Streetlights illuminating the concrete
pavement and suddenly I must –
feet hitting pavement hard and fast,
surprised by my own speed.
A spilled curl, eyes as blue as the ocean
deep rotted wood slipping up my soft thigh before
a quick scan of blonde and brunette –
God have mercy on the lost.
Marley sits cross-legged in the hollowed-out trunk
And I don't need to scan an ocean for there is
a light chuckle, a dumb joke
I move next to him as we make our way up the hill.
I need the extra strength today to come. To go.
God have mercy on the tired souls.
God have mercy on us all.
This poem is inspired by a line from "All the Kings Men" by Robert Penn Warren. He discusses Highway 58, a road I know well. It reminded me of all the time I spent on a similar road, going and coming. This poem captures some of the thoughts that took up space in my life at that time. I also payed homage to one of my favorite songs during this period - "Shine" by Over It.
About the Creator
Shals
a quest in modern poetry | a challenge to find the right words
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