career
Careers in the industry; from corporate to middle management, food service, media, political figures, and beyond. All workplace careers.
Two Trainings Cancelled
Today, I should be going to train about four hours from home tomorrow and Friday. Instead, I went with my daughter last night to her nursing position. She puts in long hours and works 4.5 hours from home for three days each week. Her 12- year-old home schooled daughter was going with her also.
By Denise E Lindquist14 days ago in Journal
A Drummer’s Take
Guitars get the posters. Singers get the interviews. Drums get the room. That is the part of Gen X metal that still does not photograph well and still decides whether a record feels like a band or like a file. The era this series has been walking through was a golden stretch for players who treated the kit as a lead instrument without turning the song into a clinic. Dave Lombardo. Mike Portnoy. Danny Carey. Add the people standing next to them. Lars Ulrich on the records that taught radio to accept a metal snare. Vinnie Paul on the records that taught the backbeat to clench. Matt Cameron on the records that made weird time feel natural. Sean Kinney on the records that made the beat sound tired on purpose. The common thread is physical information. You can hear the stick. You can hear the decision.
By Overdrive Records15 days ago in Journal
What Gen X Inherited
Every generation likes to believe it invented volume. Gen X did not. We inherited a working set of tools from the 70s and then spent twenty years arguing about which tools were still legal. Black Sabbath gave us the riff as law. Judas Priest gave us the silhouette and the twin guitar engine. Zeppelin, Purple, Humble Pie, UFO, Thin Lizzy, and AC/DC gave us the rest of the vocabulary. Song length. Groove. Showmanship. The idea that a guitar could be both a rhythm instrument and a lead character. By the time we were old enough to buy our own records, the language was already there. We just changed the accent.
By Overdrive Records15 days ago in Journal
Mudvayne’s L.D. 50 Era
By the year 2000 heavy radio had a lane and most bands were happy to stay in it. Drop the tuning. Hurt in the verse. Open up in the chorus. Paint the video gray. Mudvayne pulled into that lane and then cut across the grass. L.D. 50 did not sound like Staind. It did not sound like early Slipknot cosplay either, even if the masks invited the comparison. It sounded like a metal band that had listened to Tool, Meshuggah rumors, death metal records, and hip hop cadence and decided the parts could live in one song if the players were good enough.
By Overdrive Records15 days ago in Journal







