movie review
Movie reviews for horror fans; from gruesome bone-chillers to dark horror thrillers, a showcase for frightful films that seek to entertain and to terrify.
Lupita Nyong’o Has to Survive Zombies, Children, and Children Who Are Zombies in 'Little Monsters'
Zombies are the best. Love them or hate them; they continue to be a hot commodity in the entertainment industry. From comic books to TV shows to mobile games to the big screen, like all the stories they occupy, they are everywhere. And while some would argue that the genre is getting stale and mundane, mediocre carbon copies continue to be churned out year after year; I feel that this claim is not quite accurate. A good chunk of titles released about cannibal corpses are easily dismissed, but to say that nobody is trying anything new in the world of reanimated cadavers entertainment is unbelievably incorrect. Films like The Girl with All The Gifts and TV shows like iZombie are great examples of unique takes on the idea of the dead coming back to life. And those are not the only ones, even films that are hits at Sundance and SXSW are breeding new life into the undead genre. If you haven’t yet, you absolutely need to check out the trailer for the Australian horror-comedy Little Monsters.
By D.J. Rivera7 years ago in Horror
'American Killing' (2019) Review
Getting scripts out on time for episodic productions can be emotionally draining on the writers. It takes a massive toll on the writer’s ability to function in the real world. Consequently, when a production they put everything into is under threat of cancellation, some people find it impossible to cope. They look for a way in which they can vent both their anger and their creative talents in a singular explosive project which could elevate their name in the eyes of the viewing public. Jeb, with his cartoon series on the verge of cancellation, is one such creative talent.
By Shain Thomas7 years ago in Horror
Reed Alexander's Drunk Horror Review of 'Forced Entry' (2019)
My wife just got done paying tribute to Baron Samedi, and that means I had to drink some black rum. And to get the taste of the black rum out of my mouth (sorry Baron, it's just not my drink, no disrespect meant), I cracked open the bottle of Lagavulin 16. I'm not getting paid for that, I just like Lagavulin 16.
By Reed Alexander7 years ago in Horror
'The Witch' Director Returns to Drive Willem Dafoe and Robert Pattinson Crazy in 'The Lighthouse'
A lighthouse is a truly remarkable structure. It represents so many great things like the satisfaction of knowing you’ve survived the journey making it home safely. It holds back the darkness, giving travelers a beacon through whatever adversity they may be facing. And it's safe to say that during a storm, this glowing light is undoubtedly a sight for soar eyes. Some may even argue it's the epitome of hope and the enemy of despair. They may very well be mistaken. Because one always thinks about those looking at the lighthouse and very little about the brave, unfortunate souls that must man the spotlight. For anyone that ever wondered if someone could lose all their marbles tending to the needs of a lighthouse, then the new trailer from director Robert Eggers' latest film will provide some terrifying answers some may find hard to believe.
By D.J. Rivera7 years ago in Horror
Blumhouse Invites Audiences to Get in on 'The Hunt' This Fall
If there is one thing moviegoers can count on, it is that there is one name that is synonymous with developing hit horror films. Whenever these guys have something slated for release, it's a good idea to not miss out. Blumhouse has put out some of the genre's most popular titles and some very profitable franchises. One example is the Purge property which has spawned four movies and a TV show about to air its second season. And it's not just popcorn flicks with these talented folks either. The low-budgeted horror outfit has garnered some Oscar gold from Jordan Peele’s 2017 mega-hit Get Out, both of which involve the wealthy and the less fortunate going head to head in a truly chaotic fashion. These are some truly sick and twisted tales of the elite exploiting those below the poverty line. A concept which feels like it's becoming less a fantasy and more of a reality every day. Now the next chapter in the saga of the rich and powerful turning out to be heinous monsters is apparently on its way as the prolific studio has released its trailer for The Hunt.
By D.J. Rivera7 years ago in Horror
Reed Alexander's Horror Review of 'Gingerdead Man' (2005)
Look at that fucking DVD box art. Look at it! Take a moment to draw it in. Think about how fucking ridiculous that is. This is another movie where if you actively chose to watch it, and were disappointed with what you got, YOU are the problem. Just the fucking name lets you know, without any uncertainty, the producers of this movie weren't out to make serious cinema. If you didn't go into this with a group of friends, a ton of booze, and the intention to riff this movie back to the stone age, I question your cognitive capacity.
By Reed Alexander7 years ago in Horror
The Importance of 'Peeping Tom'
So absorbing and successful at focusing on the camera as a tangible concept that you quickly forget this film is being directed by the late great Michael Powell, rather than aspiring director and psychopath Mark Lewis. The film focuses on a young man who murders women and uses a camera to film their final moments, immortalising them in his growing filmography. Peeping Tom was incredibly controversial upon its release and sent critics and audiences into uproar with it’s sleazy, sexual themes mixed with overt violence. As a result, it’s initial release only lasted five days before being pulled and single-handedly crumbling Michael Powell’s illustrious career. However, years on it, is now considered a masterpiece of both horror and British cinema and is widely considered as a spiritual partner to Hitchcock’s game-changing Psycho (1960) and also Rear Window (1954), connected in character types, subject matter and style. But this film did not get a chance to reach the box-office heights of it’s American counterparts.
By Conor Crooks7 years ago in Horror
Everyone Needs to See Horror Festival Favorite 'Tigers Are Not Afraid'!
Every year the horror genre unveils simply terrifying tales that encourage all of us to sleep with the lights on. And recently the horror world has put out some seriously game-changing titles that have taken our darkest fears to a whole other level. Filmmakers aren’t afraid to push the medium passed its boundaries, and bravely explore its mysterious, uncharted territories. These brave endeavors are the stuff of legends, and one fantastic example of that is Tigers Are Not Afraid. This horror fantasy tale set against the backdrop of cartel violence is nothing short of spectacular, horrifying, and extraordinary. And now thanks to the generous folks over at Shudder, fans now know when they’ll get a chance to see this scary spectacle on the big screen before it ends up on the horror streaming platform. The trailer will spark your imagination, intrigue your curiosity, and put fear in your mind until you get the closure of seeing the actual film.
By D.J. Rivera7 years ago in Horror
Reed Alexander's Horror Review of 'The Mist' (2007)
I didn't read the book. Two things. First, I don't give a flying fuck if this wasn't close to the actual book. Sorry, I just don't fucking care. Second, I don't give a good goddamn if the book was better. This movie was fucking awesome! And god DAMN it was brutal. It just keeps kicking you while you're down, and you don't think anything can get any worse, then it pulls out a set of golf clubs and starts whaling on you Mafia style while you're curled up in the fetal position. And the ending, the coup de gras, is a merciless shot to the dick with steel-toed boots.
By Reed Alexander7 years ago in Horror
A Short Review of 'Gwen' (2019, William McGregor)
I almost missed Gwen entirely. It wasn't until I saw the review by critic Mark Kermode that I became aware of it's existence. As I researched into the film I found consistently that it received a number of very praising write ups. So I decided it would definitely be worth given a try and from what I saw of the trailer, further convinced me of that. Having gone to see it, I can say that it met all expectations. It is a film that has successfully melded both Folklore and Gothicism. Creating a hybrid that one cannot help but become invested and engaged in.
By Craig York7 years ago in Horror
