Paul Levinson

Emergence, which debuted on ABC last week, is another example of a recently well-worn theme back on network television yet again: a child or teenager who mysteriously appears, and turns out to have some kind of superpower.

I was going to entitle this review of The I-Land on Netflix, "Lost Opportunity." You know, that ABC series Lost, which had an excellent beginning, an absolutely out-of-the-ballpark brilliant third and fourth season, and then took a turn very much for the worse, with one of the worst series finales ever on television? Except ...

Gideon Raff is best known for Homeland, soon to begin its final season on Showtime. In its first few seasons—its best few seasons, by far—Homeland told the story of an American who was brainwashed in Iraq, to hate Americans and identify with terrorists, who returns to the US as a war hero and moves to within a heartbeat of the Presidency. It was all fiction, of course, but...

The Deuce was back last night with its final season on HBO with another step into the future: New Year's Eve 1985, that is, the last day and evening of 1984. The big villain, at this point, is AIDS. Bobby's afraid he has it (he likely doesn't, at least yet). Gene seems set up to get it. And a lot of people, including Abby on the East Coast and Lori on the West Coast, aren't feeling too well.

Maybe I'm a sucker of steam punk—I am—but Carnival Row, the science fiction, science fantasy, mystery/ detective, searingly political relevant eight-episode series that debuted this weekend on Amazon Prime, is much more than that. As those adjectives suggest.

I just saw the news, that a Breitbart reporter, Joel B. Pollak, who actually is Senior Editor-at-Large at Breitbart News, was ejected, apparently for no valid reason (he wasn't being disruptive, though his mere presence was deemed as such) from a Beto O'Rourke speech at Benedict College.