Arts + Entertainment
The central nexus for all things film, gaming, art, and music.
Furious
I cannot believe you sometimes. I am not going to be a last resort anymore. I will not be an option, sliced like an apple because it cuts me to the core.
Chloe UrquhartPublished 7 years ago in PoetsHidden Routes
Her skin was like a map So much to see, to discover. She had hidden routes Lines crossing each other's paths. Every road tells a different story.
Kailey LynnPublished 7 years ago in PoetsMissing Pieces
Lonely thoughts for a lonely mind thinking about all my wasted time missing you, but are you missing me I let you go why
Miles CooperPublished 7 years ago in PoetsNeglected Faith
Many people think I'm religious, Just because of the modest way I dress, But let me inform you I am far from it, Instead of remembering God,
Ala MohamedPublished 7 years ago in PoetsParamore: Altering Of Styles.
Pop punk has become somewhat swollen. It has many bands under its weighty arms. It gathers up many acts and spits them out into a state of failure. Many acts fizzle out or imitate, spearheading their music but cascading off into a fight for survival. But, there’s one band which shredded the rule book and blossomed into a colossal mainstay. That group is Paramore, an act flamboyant when they arrived on the scene in 2005 with their debut opus All We Know Is Falling.
Mark McConvillePublished 7 years ago in BeatDear Black Man
Black men yeah it's me the one that you should call your Queen Never been a bad bitch I always been a Queen respect me as one when I show up on your scene
Latoia DunnPublished 7 years ago in PoetsThe Empire
The Empire's city is beautiful, Complicated, intoxicating, liberating – suffocating It’s easy to get lost in its beauty –
Classic Movie Review: Lust for Life
Our classic this week on the Everyone is a Critic movie review podcast is Kirk Douglas and director Vincent Minnelli’s portrayal of the life of troubled artist Vincent Van Gogh, Lust for Life. If the film illustrates one thing more than anything else it is that acting has changed a great deal since 1956. While Douglas and co-star Anthony Quinn, as fellow painting legend Paul Gaugin rage at each other, it’s not hard to see why the directors of the next generation began to strive for something more natural and genuine from their actors. Lust for Life seems to me to be among the last films for which theatrically trained actors were the vanguard of the cinema.
Sean PatrickPublished 7 years ago in Geeks