Time’s Second Language
Learning the quiet tongue beneath clocks—the patience that lets a life unfold.

Time’s Second Language
I learned the first language early—
calendar grammar, clock syntax,
The verb that ticks.
~~
But time keeps a second tongue,
spoken in glances that last a beat too long,
in the steam that leaves the cup
after the apology lands.
~~
It conjugates waiting into weather.
It declines the word “soon”
until it means “what you can hold
without breaking.”
~~
A scar reads it fluently;
so does the seed, the kettle,
the bus that arrives exactly when
You stop needing proof.
~~
Your name and mine—
We were bad translators.
We counted minutes like coins,
starved in a pantry full of seasons.
~~
Time’s second language is hands:
wrists, remembering to unclench,
palms that know when to shelter
and when to pour.
~~
It’s also the space between replies—
not absence, but grammar:
The comma where breath lives,
The em dash that lets the heart
finish its thought.
~~
An oak outside my window
declines “now” and “always”
into rings I’ll never see.
It answers storms with
a quiet the dictionary forgot.
~~
I hear the other tongue in elevators,
in the sock that finally finds its pair,
in bread rising without witness,
How a child forgives by noon.
~~
When grief speaks, I listen twice:
Once the facts,
Once to the slow syntax under them
saying carry, breathe, set down.
~~
You asked what I’m waiting for.
Not a date; a fluency—
The ease of reading the day
by warmth instead of numbers,
to place the clock face down
and still arrive,
to understand what lasts
without needing to hurry.
~~
I am practicing daily:
watering what doesn’t beg,
greeting the kettle by name,
counting not the steps but
The sorrows I don’t take with me.
~~
When I speak this language well,
I think it will sound like walking home—
no translation, just feet and light,
the kind of sentence
Only living can pronounce.
About the Creator
Milan Milic
Hi, I’m Milan. I write about love, fear, money, and everything in between — wherever inspiration goes. My brain doesn’t stick to one genre.
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