After the war
In the fog of some inalienable disease
We took the glasses off the dead
No one who was left
Quite knew how to polish lenses
For short sightedness, astigmatism
Or the many other forms of purblind dread
At the funerals our confusion grew
Unsure of whom we laid to rest
In garland and in patriotic finery
Without his bottle-green spectacles
Mr Georgiou could have been
Someone in a turban
Who with flashing cutlass
Once graced the silver screen
Rather than the grocer
Who, shrugging, sold us spoiled cans of beef
Or Philippa Blount who made demands
With a raptor’s air amongst the shelves
Still looked bookish but as if she’d lost
Some twenty years, and was now again a curious girl
Instead of posting accusations with a murderous vehemence
Of those who never went, on the library noticeboard
Captain Magdalene who came home
Mouth stitched with a careful zig-zag smile
In what he nonchalantly called his Siegfried line
Had forgot the authority and rancour
He sometimes shared, about how they shot the horses
Rather than watch our noble beasts enslaved
By Johnny Turk or Frenchmen
Or some other barbarous kind
Seemed to dream behind bare eyes
Of kites and conkers, and of cloud strewn days
When we took off our new glasses
To rub against a ragged sleeve or brisk white handkerchief
We wondered with whose eyes
We did and didn’t see
The living or the dead
How in either could we believe
And if perhaps when we heard
Grand men talk of sacrifice
And we saw instead something withered
With a lolling tongue
Perhaps it might be better
If we returned our glasses to the dead
So we might at least at last
In new bright tears, know them
About the Creator
C S Hughes
C S Hughes grew up on the edges of sea glass cities and dust red towns. He has been published online and on paper. His work tends to the lurid, and sometimes to the ludicrous, but seeks beauty in all its ecstasy and artifice.
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