
Her needles click like second hands,
stitching midnights into hemlines—
each dress a living almanac
of seasons worn and weathered.
*For the widow:*
A black gown that blooms camellias
where tears fall,
the silk remembering
how his hands once spanned her waist.
*For the runaway bride:*
A slip made of hourglass sand,
slippery as maybes,
every ruching pleat whispering
*"You have until dawn to change your mind."*
*For the old woman:*
A shroud woven from cradle songs,
threads plucked from her own mother’s hairbrush,
the lace collar rising and falling
with her last steady breath.
Clients call it *couture*.
She calls it *chronometry*.
The fitting room mirror
always shows the year
you needed most.
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