Asonnet
Poetry’s initial beauty withers
When Theory envelops it with norms:
Long, slow words that fight metaphors like worms.
Poetics amasses half the glitters.
To be or not to be turns suicide,
And Christ’s crucifixion, a genocide.
Short, slimy words imitate images.
Conformity cataracts lineages.
I feel it around me, sonneting me;
Demeaning, destroying, un-living me.
England 1770-1928
Before Wordsworth, Earth was a desert place
With little water for the thirsty mind.
The Master had a mindful friend whose trace
Still hides in the contemporary kind.
To Autumn, poor Keats, noble and fragile,
To Autumn bade he his beautiful soul.
Lady Jane, in a man’s greatly agile
World, stumbled on a tall, too homo wall.
Ms. Emily, so gracefully, composed
Loving birds, while Tennyson’s clarity
Created imagery. Browning proposed
To seize sanity, while Arnold’s pity
Was directed to the poetic rest.
Novel Dickens enkindled the bleak home,
While Eliot’s Middlemarch was to nest
Until the advent of the native comb,
Who swept the state under the name Hardy.
And rakish Wilde, in an earnest fashion,
Acted to the child within the body,
Taught it how to march with its compassion.
Poets Lost
Many poets have come and gone,
Some ingenious, others unknown.
Few are kept in our stony hearts,
Fewer inside our decried minds.
We do not feel for poets lost,
And remember but poem parts.
We rely on History’s finds,
And swallow what You studied most.
You have forgotten Tennywords,
Worthson, Colebrow, Ridgening and Eats,
But mostly, You have killed Karnold.
Given, handed, thrown to the birds,
All these poets had the right wits,
Yet, left in a poetic cold.
I Own a Book
I own a book
A thrilling hook
A little bit light
It shines at night
I own a dog
A running log
It barks all day
But it is gay
I own a cat
That is quite fat
It eats and rests
And then it nests
I own a mouse
Holes in my house
It is so small
I am too tall
I own a germ
You know the term
Doctors believe
It will not leave
When I am dead
Upon my bed
My pets will come
And find me numb
The Anthology of English Literature
The Anthology of English Lit.’s usages
are worthier than those of the Yellow Pages.
Modernism
Modernism was a literary beast with many sharp labels;
sometimes up to ten. Fortunately, I only know of eight of them:
T.S. difficulty, Dos rupture, Henry self-reflective, reDos
subjective time, e.e. rejection/acceptance of modernity,
William destruction of narrative, reHenry lack of passion, and Djuna
doubt. It was terribly, terribly modern; dreadfully so; you know.
Modernism is dying, is losing its depth, is diminished by
postmodernism, is replaced by many new things, is almost dead.
Some of these old things are nameless, some are formless, some are meaningless,
and some are left out in the cold, carefree, steely atmosphere of our
humanity. Anything with a modern label lays down and dies.
And that is well.
À votre santé (To Your Health)
Unstable like your sanity
Unpredictable like the weather balloon
Uncaring, untimely, unless
Rigid like your first impression
Risk-free like sleeping under the bed
Riveting, refreshing, regardless
Circular like your diet plan
Serious like a lawyer with a conscience
Semi-insane, secular, since
Momentary like your stardom
Menacing like a hungry human
Manageable, managed, more
Diverse like your new acquired identity
Direct like a new policeperson
Diffused, dispatched, despite
Irresponsible like your government
Irrational like a religious scientist
Irregular, Iroquois, indeed
Lilliputian like your patience
Lingering like an old memory
Lifeless, lionlike, lively
À votre santé
About the Creator
Patrick M. Ohana
A medical writer who reads and writes fiction and some nonfiction, although the latter may appear at times like the former. Most of my pieces (over 2,200) are or will be available on Shakespeare's Shoes.
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