I Try to Read With an Open Mind/ How Lucky Barrett Browning Was
A Failed Sonnet
"How do I love thee? Let me count the ways."
from Sonnet 43, Sonnets from the Portuguese by Elizabeth Barrett Browning
I used to trust the ins and outs of love,
A true heart’s allegiance unrestrained,
A banner flying proudly bore the name,
Of one who I could never give enough.
Giving freely, with nothing to atone,
While hoping for reciprocal respect,
After all, if there is no giving back,
Your self condemned to wander lost, alone.
With single candle searching far and wide,
Condemned to venture off the beaten path,
Carrying a rope as spelunkers will,
Not to become lost in winding caverns.
Or like a miner and his caged bird,
Relying on its tiny yellow songs,
In sacrifice to breaths of poisoned air,
Its hopeful feathered heartbeat ceased to stir.
Fortunate Barrett Browning in her verse,
To keep the knowledge where she could be found,
Whether fictitiously in Portugal,
Or on some other oft imagined shore.
Protection of true love from its reverse,
Lies in firm fidelity to your self.
I started this piece while researching the life and poems of Emily Dickinson after I found she was a fan of Elizabeth Barrett Browning. She kept three framed portraits in her bedroom- one of Barrett Browning, one of George Eliot, and one of Thomas Carlyle. It made me curious about Elizabeth Barrett Browning's influence on Dickinson's work.
Browning wrote sonnets, whereas Dickinson often wrote in the common meter used in hymns (four lines with syllable structure 8/6/8/6).
Some day I would like to visit Dickinson's home, which is preserved as a museum, and also hosts a yearly in-person and virtual poetry festival with readings and workshops.
About the Creator
Natalie Wilkinson
Writing. Woven and Printed Textile Design. Architectural Drafting. Learning Japanese. Gardening. Two poems are featured in a new print anthology-POETICS: Grain available at Bainbridge Island Press.
IG: @maisonette _textiles
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