Dear Catherine
We often create fictitious identities and entities to pray to.
Dear Catherine,
The lonely nights call
As I flow for its attention
I could never catch it,
The series of clouds
Framing my face,
Forever
The senseless
Words
Are my
World.
Forever- a rhyme
There is dust
Around me.
Awaiting my third death,
I envy your pillow.
The flowers, the flowers,
Circle me,
From the waves,
To the sea.
I’m standing
Sand burning my feet
You’re here.
Take a seat.
I float alone.
Dear Catherine,
My constraints are heavy with certain infatuations of love and success.
Heavy with fantasies, I’m conjuring a nightmare.
So many nightmares through action, explanations.
They are smart fantasies. It explains why I cannot write an ordinary sentence.
Banality frightens me.
The failure to interject.
Chaos are my children and I am tired. Sometimes I wish the Bible would correct me.
How do you create a language transmittable to one object?
Approval of inferiority, romanticism, mental illness;
clouds, rain, stares of people, lay down in me.
Crying, crying, crying, crying.
Context is hell. I put faith into my crystals.
I do not remember what love feels like,
I never hear birds singing,
Or think about them, about that noise
That they gift my ears.
There is something wrong --
With only me.
Confusion is hearing cries in laughter.
My illusion is trying hard,
Can you see these heavy, burning eyes?
They are catching sunlight, knowledge,
All anonymously.
Sing a word, crying fuels me.
I’m crying. Imagine his fire caught within me.
Dear Catherine,
I can’t help but fantasize about dying.
I have to watch everyone cry,
I’m afraid because so many people died.
I hear Virginia Woolf and Christina Rossetti say to me;
Hear the trees weep,
You became a female,
All while 6 feet deep.
Ladders to fire, call me in advance.
No men, no women,
Crazy chants.
I think it’s my queer history.
The sea looks different to me.
Life is covered with flowers and candy-flavored lobotomies.
Sometimes, I see you Catherine, you resemble the many men I visit,
How many corpses that looks exquisite,
You stand before craters,
My land of bones.
I see you as my dead Lola,
Fingers trying to be brave
To crawl out of a grave.
You’re brave, a woman, your hands tied around mine.
Like God -- you stand the test of time.
I hear winters in the summer,
Birds swimming in the sea-- is that what poets perceive?
At night, bugs swarming,
Nails clicking to chaotic thought,
Words are chanted as prayers of words that have already been said;
“The irresponsible silence of the land,
The irresponsive standing of the sea,
Speak both one message of one sense to me:
Aloof, aloof, we stand aloof.
So stand
...of inner solitude.
….That final moment for man’s bliss or bane.
Vanity of vanities, yeah all is vain”
About the Creator
Jiselle Kamppila
Jiselle Kamppila is an interdisciplinary fine artist, curator, poet, and painter. She interacts with word expirements and Baudelarian language.
Comments
There are no comments for this story
Be the first to respond and start the conversation.