Consequence
For the therapists. The ones who saved me, and the ones who tried.
Tomorrow
Tomorrow is closer.
.
Our legs taking us to a strange space,
creating a different itineration
of the story written.
.
Today I feel the burn,
scar tissue hardening a resistance
to the phantom pains
.
of parts and wars
lost long ago,
.
the fox holes, the lost self,
the toxic gas, and the darkness
birthing the new itineration.
.
Wounds nestling in my throat
in the air itself
the oxygen I breathed
in what was left of my lungs,
during these lost days.
Tomorrow whispers in my ear.
A seductive mistress bearing me,
lifting me, long tongued
.
out of a stuck past.
.
The shadow and ash
of quenched flame,
haunts my broken vision
spectacles married to a past
.
gone from the physics
of our birthing construct.
.
Liters of let blood,
pool into crevices of cracked
cobble stoned streets.
.
Painted sienna,
painted crimson,
skies the color of arterial blood.
.
I meditate on a dusty
smoke filled night,
thinking of this death, life.
.
The sheen of red
reflected in dreams
tying me to lost days
.
the sacrificial liquid
of a hard birth, and the colors
of the after effect
.
staining the dying of the past self
and the recreation of my own physics.
.
I cannot tell the difference
between flashbacks
of choke filled gas
.
and the smoke
from my cigar, etched
across a half-baked moon.
.
Tomorrow, feels a bit farther
then she did before.
But the scent is still there.
.
I feel this new breadth,
tips of new fingers,
the caress of a new wind,
.
a shifting and churning
time piece freshly constructed.
Framing the physics
of a new story, so I get up.
.
Midnight
My aussie, and I cradled each other,
both intertwined
in the brush and debris.
I could feel the moon,
.
with her starry children,
gaze longingly
at the deciduous earthiness,
chaining us to the grounded
.
rhythms of a world
at the edge.
.
The scene, spirit, scent
and the silent spaces
were all we had to keep
breathing.
.
This is surrender,
a giving and a parting,
a letting go.
.
Just, keep breathing.
.
Sacrificing sacred baubles
of an increasingly foreign shore
to an old god,
.
breathe.
.
The scar tissues of dead battles
of night terrors,
paths lit with pyres
fueled by the tears
of the lost self
.
where I sat trembling,
.
I see the physics of worlds crack
at the weight of the delusion.
.
Desperately holding gently
to thin untangling threads
frayed with the surrealism
of the innermost false self.
.
The rituals feel foreign
to what is left of who I was.
.
Sometimes, surrender is emancipation,
while victory feels dormant.
This weighty frontier recycles
such remnants, and discards.
.
Who I was,
is not close to
who I am,
.
lying prone on a darkened street,
gravel roads,
cracked blacktop
framed by trees bleeding hues
.
of sienna, of amber.
.
I lay transfixed, staring at crows
dancing around shadows,
through needles,
forests purified by charred undergrowth.
.
Kissed by the soft hand of death
grounding me on firm soil.
.
Reclaiming the dying person,
who never lived.
.
Tomorrow, moments away.
.
Myth
The past exists as a myth,
a strategic death laying hidden
behind a fading sun,
a dying star.
.
A fertile ground
facing forward, but
.
no memory
of rays nourishing
.
flowers not in bloom,
plants not in season.
.
--
.
She is still here, she grows,
She sanctifies my dedication
to the new construct,
to the new itineration.
.
she knows she is why
I will always be in love.
.
She continues living an old story,
still breathing like new wind
through her young lungs.
.
She is the reason
our sun once rose,
.
those days once burned.
Why we survived the evening,
and the descent.
.
She breathes evergreen,
eternal in my eyes.
.
The glowing of fading orbs,
suns, setting fire to cascading
mountains drenched in dying light.
.
The twilight of the love
once burning,
in the story of my worn body.
.
The past fertilizes
the stories we live,
the steps we take.
.
The past bleeds while it passes.
Silence, whispering
breathing, beating,
.
the final muscled rhythm
of a weakening heart
of a wounded animal.
.
The past, lost in the mist
clouding the forest
of our lives,
.
moving us
beyond the earth,
.
shaping our worlds,
coloring our perceptions,
.
of memory,
of projection.
.
All dead things stay with us.
.
While the thing itself
is gone,
.
the becoming
is not. She is here.
.
I feel it in her kiss,
in the reach
of plants, busy growing
.
their tendrils from the garden
of her love.
.
--
.
We grow, like vegetation,
new growth,
into what we become
.
for tomorrow.
.
--
.
But you. Are not a myth.
You are baked into my bones.
The blood and marrow,
the crushing weight,
.
the pain and coming emancipation,
after the height of the fall.
.
The breaking and crushing,
the mending of broken skin,
the churning suffering
of a fated life,
.
birthed new.
.
The cycles of suns which birth us
daily, the death
.
of that single star
enflaming the hillsides
we eternally ascend
and descend.
.
While you were the morning
of our beginning,
.
you will always be the mourning,
and the night.
.
Hands
The night was long,
the mist of fall morning
extinguishes the fires
of a summer, loitering
.
too late, past the appropriate
amount of propriety.
.
My shoulder’s sink,
weary of carrying loads
a body shouldn’t carry.
.
I can’t reach your hands,
though the invitation is clear,
I try, arms outstretched.
.
I see your palms, sweaty
with anticipation of a merging
skin against skin. I intuit
your needs and feel
.
the changing season.
Limbs, wanting to experience
a climate different,
.
to fill the hollow spaces,
between our most profound
of organs, each yearning
to touch palm’s desire.
.
You feel the acceptance,
I feel the attraction.
The moments between
the mating of each
sits heavy, as infinity bleeds.
.
Apotheosynthesis
We crossed paths
at the open mic,
after the lecture
about Beowulf,
.
and the foundations
of English literature.
.
An hour about treasure,
heroes, and the monsters
they couldn't live without.
.
You stood regal
at the lectern,
established, fatherly.
.
My dad would like you.
.
Envisioning conversations
at the dining table,
pass the mashed potatoes,
and when are you going
to settle down?
.
Words eclipsing
the half-devoured moon,
a night with syllables
drenched with latte
and electricity.
.
I saw hazel eyes
and me pulled in.
Being consumed
like that moon,
.
sitting heavy above
us both.
Words hitting hard.
.
I felt it,
I felt you in them
you in me.
.
I couldn’t wait to get home
opening the book,
.
I would become
an expert on old English
literature. Read every essay
on the subject, everything.
.
You were breathtakingly handsome.
Older, but in the right way.
Dangerous, wrong
but not too wrong.
.
Like making out
with the guy
you just met.
.
In the back row
of Coriolanus
at the Shakespearean festival,
.
but I wouldn't know.
.
Wrong enough for the flame.
Implausible, but real
and smoldering.
.
Cindered enough to require healing,
and emotional support,
.
from my boyfriend, of course.
.
It would be safe,
but hot enough to tell my friends.
.
Texting into morning,
as dawn breaks beautifully,
against the resistance
to this anticipation.
.
Smoke settling
from a dangerous night,
ending star drenched
with cataclysmic fury.
.
When I woke
in your condo
after the conquest,
you were gone.
.
The absence cratered
me inside, but I knew
our true orbit.
.
I lingered, playing
with my phone on your bed stand.
My thumb swiping up
my thumb swiping down,
.
in that millennial compulsive fashion.
Waiting for validation,
waiting for something.
.
I still draped under sheets
hiding my nakedness,
body drenched in sienna.
.
You the painter
I the canvass.
.
I the prey
You the hunter.
.
But was it the other way around?
.
I feel you still there,
with me. An apotheosynthesis
of something different
than before, now alive.
.
Borderline
The night I tried to save her
I learned, the people we love
cannot be saved.
.
I don’t remember too much,
of the evil things we had done.
.
But the consequences
are birthed, throughout
all these days.
.
A changing
of the lock,
breaking the chain.
.
A golem, construct
coming undone.
.
I felt the death,
I felt it go,
like the Deschutes,
In the spring.
.
Rivulets of dark,
of pain.
.
I felt it go.
.
The illusions, the absence,
the comforts of my life,
.
A tide, flowing wildly
off the precipice,
of the incarnation.
Out of this creature
.
coming undone.
The eating, the devouring,
the expungement.
.
In the forests
of the La Pine wilderness
dying things,
.
they don’t stay dead
for long.
.
Still, I felt it all go.
.
I saw my own apotheosynthesis,
I saw it burn.
.
In a pyre, wood enflamed.
Legs first, then body,
up in flames.
.
If I think too hard,
I feel the sacrifice.
.
I feel it go.
.
The night I died,
I opened the door.
I saw her and I
lying there.
.
Like a Dali painting,
the cracking,
the bending,
the hallucinations.
.
Like a mad jester
on the floor.
.
She and I remain there,
sometimes.
.
Still dying,
still death.
.
Some of me, will never leave.
.
Once complete,
I stood like a silhouette.
Remains painted on a tree.
.
On a high desert hillside,
I saw my mirage,
a rainstorm quenching
the burning flames
.
of my apocalyptic death.
.
A biblical vision, mirage set,
a stoney backdrop,
a dry barren landscape.
.
A liberation from a story
that no longer belonged to me.
.
I slouched, bleeding,
escaping the derision
of phantoms and ghosts
plaguing nights,
.
envisioning strands, strings,
filling a tapestry
symbolizing what was lost,
.
dancing through dreams,
tying me there.
.
You were a Magdalene to me.
.
Taking what was left
off the old tree.
you found me.
In your compassion,
.
mounted at the center.
.
In the temple
of our sacrilegious therapy,
.
Seeing unbroken pieces
I filled the shattered core
with parts impervious,
.
projections, amalgamations,
essence of someone,
a mirror.
.
Filling the cracks,
the bleeding.
.
In this consecration
.
I saw midnight turn,
I saw day begin.
I saw the sun rise,
.
breathed again.
.
Finally, the world bent
a different way,
.
a strange direction.
.
I feel you,
I feel your essence,
I feel parts of myself,
.
the small things
surviving the flame.
.
I cannot tell the difference
between the self,
and the apotheosis.
.
I gained something
with the gift,
placed upon the alter,
of this foolishness.
.
I feel cracks in the glass
of the lost-self healed
by this audacious dream.
.
I feel birthed again,
into what I’ve wanted to be.
.
As the beginning closes,
I sleep peacefully.
.
After infinity bleeding,
I wonder maybe I didn’t die,
in that hospital room.
.
Lying on a lone mattress,
cradled by naked walls,
hallways, with no exit.
.
I never left the space
I entered but could not leave.
.
Sometimes, I see
the day I almost died.
The great deconstruction,
untangling of things,
.
the long goodbye.
.
On this morning,
as the sun burns
as the wind shifts the game,
the table is reset.
.
Maybe, this wasn’t the end,
maybe, you didn’t save me.
.
But this must be where
saving begins.
.
Dragon
I have claws.
Blood dried, dirt encrusted,
they are dangerous, they grow longer.
Still,
.
I love what there is to love.
.
My light is planted firm
and rooted, and I
.
mounted at the center.
.
But my dark,
is dispersed in a private arena,
personal, ancient, and Roman.
.
Shades of battles and ghosts
of past selves
stand crucified and bleeding.
Still,
.
I slay the dragon
.
outstretched before me,
Shadow black and disastrous.
.
I am the dragon,
I mirror myself,
.
I slay myself.
.
I devour and am devoured,
and we are infinite.
About the Creator
Poetry Landscapes
We are a poet influenced by Charles Bukowski, and Button poets such as Anis Mojgani, Neil Hilborn and Andrea Gibson. He follows the outlaw style and utilizes surrealist landscapes. Find more at https://poetrylandscapes.com
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