Beware the Enemy
… who lies in wait.
The cobra takes position,
defensive in its stance,
considers its condition
with survival in its glance.
.
The guard upon his sentry
in demeanor is alike,
he monitors the entry
and readies for a strike.
.
Take notice of his figure,
tread lightly on his patch,
do nothing that might trigger
the ignition of his match.
.
Beware the enemy who lies in wait,
for all too soon, it's all too late.
.
© Tim Grace, 13 August 2010 (Revised: 17 June 2021)
About the Creator
Tim Grace
A first impression has a lasting effect - it makes a notable difference. In a subtle way that’s who I am as a poet. A ‘first impression’ looking for the gentle ‘twist’ that draws attention to a novel observation.
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Travel Snaps Challenge Winners
Travel changes us — if we let its lessons in. It’s possible to wander the world, even to take pictures, with our eyes as good as closed, never opening to the new self that a new place might make of us. So many of the entries to our Travel Snaps challenge were by creators who really wanted to look at the world, and themselves, anew. They were all inspiring to read — and to see, because photography was an important part of this competition. To us, the ‘quality’ of the photographs wasn’t the point; it was that these images were yours. It was a reminder of how much more that can mean — certainly when it comes to personal essays — than widely available or AI images. We really loved seeing these snaps.
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Comments (1)
To the reader: Around the world our dignitaries are guarded by ceremonial sentries. The guards are garbed in symbolism and perversely create a deliberate and distracting point of interest. The aloof but alert nature of a guard is what creates public curiosity and draws our attention away from the protected investment. Every gesture of guardianship is nuanced with reference to a larger more potent force lying in wait ... ready and prepared to strike if called upon to do so. To the poet: Short lines and simple statements in three sets of four. The first four describe a cobra coiled with the tension of a tightly wound spring. The middle four describe the counterpart; the guard in wait, the sentry at attention, the guard on guard. The final four holds together the allegory with ambiguous use of 'his' as either cobra or guard. The lines in the last couplet are long and stretch the use of rhyme a little too far.