Rome’s Largo di Torre Argentina historical site is finally open to visitors

You’d be forgiven for thinking that in a city like Rome, not much changes when it comes to ancient ruins. But this week, a ‘new’ corner of the city has opened to the public – and it just so happens to be 2,000 years old.

The ancient Roman remains of the Acra Sacra di Largo Argentina (sacred area of Largo Argentina) have long been visible from street level at Largo Argentina, a busy, trafficked square a few minutes’ walk from Piazza Navona.

But now visitors can descend around 20 feet below the modern city to Roman street level, and walk around ruins which have been untrodden for centuries.

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Although overlooked for centuries, Largo di Torre Argentina (its modern name) is one of Rome’s most important historical sites. This is where, on March 15, 44 BCE, Julius Caesar is said to have been assassinated, effectively ending the Republican era of ancient Rome and paving the way for the Roman Empire, which would be founded by Caesar’s successor, the emperor Augustus.

The area was largely built over in the centuries that followed, before being designated an archaeological heritage area in the 1920s, as Benito Mussolini attempted to link his Fascist dictatorship to the Roman empire, demolishing later buildings to bring the ruins to light as a propaganda project.

In recent decades, the area – by now a square – was known as a public transport hub, with the ruins fringed by bus and tram stops, and a cat sanctuary inside part of the ancient remains.

But now all that has changed – and, for the first time, people can walk around the space where history was made.

The works – sponsored by the Bulgari fashion house, and undertaken by the Sovrintendenza Capitolina ai Beni Culturali, or heritage superintendence – guide visitors through the site’s history on wheelchair-accessible walkways around the ruins. Buildings from the Republican era (which effectively ended with Caesar’s assassination), the Roman empire (after a power struggle, Augustus started rule in 27 BCE) and the medieval period are all explained on panels.

Travel 2,000 years into the past

Visitors can follow the walkways around four temples dating from the early third century BCE to the end of the second century BCE and dedicated to divinities including, archaeologists think, Feronia, who was believed to grant freedom to enslaved people.

Tactile 3D models of some of the finds make the site accessible to all

They can also see remains of the Portico di Pompeo, which includes the sturdy tufa rock base of the Curia, or senate house, outside which Caesar was stabbed to death.

Later remains include a pavement made of travertine slabs, laid by the emperor Domitian after a fire in 80 CE.

Claudio Parisi Presicce, Rome’s heritage superintendent, said in a statement that the opening “has returned a very important area to the city, allowing everyone to admire a cross-section of history spanning more than two millennia: from Republican Rome to that of the emperors, from the reuse of the structures as residences of aristocratic families, churches and monasteries to the demolitions of the 1920s.”

Today, Largo di Torre Argentina is a heavily trafficked square

“The splendid result… was made possible thanks to a fruitful collaboration between the public and private sectors, for which I want to thank the Bulgari Group,” he added.

A wholly accessible site

Two exhibition spaces – one in the Torre del Papito, a medieval tower built over the remains and the other under a nearby street – display various finds from site excavations, including sarcophagi, architectural elements, and two enormous statue heads of the divinities venerated in the area.

And it’s open to everyone – not only is the route wheelchair-accessible, but there are tactile panels, braille descriptions, and even 3D scans of two archaeological finds that can give visitors who are blind or vision-impaired a sense of the site. Miguel Gotor, the city’s councillor for culture, called it “one of the most beautiful and precious places in Rome” in a statement announcing the opening.

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