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Your Place or Mine - A Movie Review

Netflix romcom has big stars but little charm

By ZaZa StoriesPublished about a year ago 4 min read
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“Your Place or Mine” was released in 2003 as a classic romantic comedy of the time. The film features some of the biggest stars of the era, Reese Witherspoon and Ashton Kutcher, in the leading roles. However, the film failed to achieve the level of depth and complexity that it aimed for, making it a forgettable addition to the romantic comedy genre.

Despite its shortcomings, the film has found a new audience in recent years, being played on repeat at DryBar, where women can relax and enjoy a blowout while sipping champagne. Alongside other popular rom-coms of the aughts, including “How to Lose a Guy in 10 Days,” “The Holiday,” and “Something’s Gotta Give,” “Your Place or Mine” is a pleasant watch that doesn't require too much thought.

Aline Brosh McKenna, who has a long list of writing credits that includes “27 Dresses” and “The Devil Wears Prada,” directed the film. However, her debut feature falls short of her previous work's sharp dialogue and well-drawn characters. “Your Place or Mine” is content with being a light and breezy romantic comedy that aims to please.

Reese Witherspoon and Ashton Kutcher play Debbie and Peter, respectively. They met 20 years ago and have been best friends ever since. While the film continually reminds us of their strong bond, their conversations lack the depth and substance to convince the audience of their friendship. Despite living across the country from each other, they speak every day, but their conversations feel more like a routine than a genuine connection.

The film employs familiar genre tropes to establish that they are opposites. Debbie lives in a colorful and cluttered Los Angeles Craftsman, while Peter lives in a sleek and spacious Brooklyn condo overlooking the Brooklyn Bridge. Debbie is a perky and uptight single mom, while Peter is a sardonic charmer with commitment issues. The film keeps them apart for most of the story, forcing them to swap homes for a week, creating a series of comedic moments.

Peter agrees to take care of Debbie’s shy 13-year-old son, Jack, while Debbie is completing her professional training in Manhattan. Debbie, on the other hand, moves into Peter’s sleek and modern apartment. The film introduces several supporting characters, including a wise-cracking sidekick for each of the main characters. Tig Notaro plays Debbie’s middle school co-worker, while Zoe Chao plays Peter's party girl ex-girlfriend. They are both more compelling than the main characters and add some much-needed humor to the film.

The film also introduces a handsome and accomplished New York book editor, played by Jesse Williams, with whom Debbie enjoys a flirtation. Meanwhile, Steve Zahn plays Debbie’s gardener and would-be suitor, Zen, who is incredibly laid-back. However, both characters are underdeveloped and feel like afterthoughts.

While the film has its moments of comedic relief, the plot is predictable, and the characters lack depth. The film tries to create some tension with a brief fight scene, but it's forced and doesn't add anything to the story. The audience knows the answers to the questions posed in the film: Will Debbie let loose in New York? Will Peter find stability in Los Angeles? And will they find love in each other? The film doesn't provide any twists or detours that would make the journey more interesting.

In conclusion, “Your Place or Mine” is a pleasant romantic comedy that aims to please, but ultimately falls short of the genre's classics. While the film has its moments of humor, the plot is predictable, and the characters lack depth. Witherspoon and Kutcher have great chemistry, but their characters are not well-developed enough to carry.

It’s not that "Your Place or Mine" is a terrible movie. It’s just that it doesn’t do anything particularly well or memorable. It sticks to a well-trodden formula and doesn’t stray far from it. The movie is content with being pleasant, but in a way that's forgettable.

One of the biggest flaws of the movie is the lack of chemistry between the leads. Witherspoon and Kutcher are both talented actors, but they’re given nothing to work with in terms of material that would showcase their skills. They’re just playing generic rom-com archetypes without much depth or nuance. Their characters are thinly sketched and the dialogue they’re given is predictable and bland.

The supporting cast fares a bit better, with Tig Notaro and Zoe Chao providing some welcome comedic relief. However, their characters are also one-dimensional and don't leave a lasting impression. The various subplots involving other characters feel tacked-on and underdeveloped, as if the filmmakers were trying to add more conflict and tension to a story that doesn't really need it.

The movie's plot is also predictable and formulaic. The premise of two people from different worlds swapping homes and learning to appreciate each other's lifestyles is not exactly original. It’s been done many times before, and "Your Place or Mine" doesn't bring anything new to the table. The movie tries to inject some humor into the situation, but the jokes fall flat more often than not.

The film’s production values are also underwhelming. The green-screen backgrounds look cheap and fake, and the overall visual style is uninspired. The movie doesn't have much of a visual identity, which is a shame because the setting of Los Angeles and New York City could have been used to create a more visually interesting movie.

In conclusion, "Your Place or Mine" is a forgettable romantic comedy that doesn't offer much in terms of originality or quality. While the movie isn't terrible, it's also not particularly good. It's the kind of movie you watch absent-mindedly while getting a blowout at the salon, and then promptly forget about once it's over. With talented actors like Witherspoon and Kutcher, it's a shame that the movie doesn't give them anything substantial to work with. If you're looking for a romantic comedy that's truly memorable, you're better off revisiting classics like "When Harry Met Sally" or "Sleepless in Seattle."

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