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Halloween Memories and Epic Costumes Using Papier-mâché

by Allison Rice 20 days ago in halloween · updated 18 days ago

I made my first papier-mâché mask at age five, but my artist spouse elevates the craft to an entirely different level!

One of my favorite memories from Halloween past involves making papier-mâché masks with my dad & brother when I was a kindergartner. Looking back, it’s really impressive that my father undertook such an ambitious project with his children who were only five and two years old. Instead of taking us to the store to buy some of those flimsy plastic cape and mask combos that passed as “costumes” for children in the mid-1970s, dad took on the daunting task of engaging his young children in a creative activity that spanned several days.

Typical Halloween costumes circa 1975.

We were country kids in the frigid Midwest, so I’m sure that the idea was for us to each make a large mask that would fit over our head, and could comfortably pair with a snowmobile suit and boots. While the project wasn’t grandiose, my brother and I were both involved in the design and creation of our masks and provided much of the “labor” involved with crafting our costume heads.

My brother wanted to be an astronaut, and I don’t recall the slightest bit of parental pressure for me to be an alien or to create a matching theme. Instead, I was given free reign with my creation, and I insisted that I wanted to be an apple. Specifically, I wanted to be a red apple with a green worm sticking out.

My father prepped all the materials – using a paper-cutter to slice three grocery bags full of newspaper into 1” X 2” strips, then taping a plastic cover over our dining table, and filling our biggest popcorn bowl with a mixture of flour and water. Using our heads as guide, he blew up two large balloons and gently set them atop a pair of saucepans so that the gluey balloons wouldn’t roll away while we were working.

Papier-mâché using a balloon and a plastic bucket for stability.

With extraordinary patience, dad showed us how to dip the strips into the paste mixture, then layer them on the balloon until none of the latex was showing. Because we needed to let everything dry, this project lasted for about a week, until finally dad cut the eye holes out of our mask-helmet hybrids, after which we painted them. My brother’s “space man” helmet was grey with red and white accents; my apple was red with a smiling green worm sticking out. We probably only went to five or six houses to trick-or-treat, and our creations were primitive at best, but we had so much fun making them! We used our masks to play dress-up for the next several weeks, and when they started to fall apart, we had fun smashing them and throwing them in a fire.

This example is similar in style to those we made in 1975

While this is a cherished memory, those first papier-mâché masks were not my last, nor were they even my favorites. My husband made two incredible papier-mâché masks as part of our couple’s costume a few years ago.

When my husband and I conceptualized costumes, my artist spouse suggested that he could build mask “heads” using foam and paper, and we floated some ideas. I thought that since we are big fans of the Seattle Seahawks, it would be fun to dress up as “bobbleheads” of our favorite players. We could dress in their jerseys, wear the big heads, and “bobble” our way through Halloween. Thankfully, my guy pointed out that dressing as Marshawn Lynch or Russell Wilson might be a questionable choice and seen as a type of blackface parody. Not cool.

He came up with the idea of Tiki idols and, after we made general plans, he quickly got busy. He decided that his mask would look like a stone idol while mine would look like a carved wood totem. I suggested ways to make mine a little bit “feminine” with a floral headpiece and full lips. The headpiece also provided camouflage for hiding my eye holes. His would be “carved” out of the stone crown and then the fake eyes would be much lower. (It was truly weird to have people making "eye contact" a foot below my actual eyes when they spoke to me!)

First, he sketched out his designs, then created a metal framework from chicken-wire type material. He attached a dowel across the back of each mask to use as a handle for the wearer to hold the mask upright, and also for structural integrity. Then he used masking tape to outline the design on the front.

Erik Rice (EJArtworks) with his stone mask design in the early stages.

Next, he carved foam to attach to the piece.

"Stone" Tiki mask starts to take shape.

Bit by bit, he added more foam – including spray foam.

Another layer of cardboard and foam are added.

Eventually, he used brown paper dipped in a mixture of glue and water to add texture and detail.

"Stone" Tiki mask gets details and texture added.

This project took several weeks to complete because each mask needed to dry multiple times after each coat of foam, papier-mâché, and paint. He put fans and a space heater in his workshop to speed the process, but it was still very time-consuming. While we waited for everything to dry, we worked on the rest of our costumes. Both costumed included grass skirts, tropical sarongs, and sandals. My husband also used a drill press to make holes in buckeyes that we gathered, and strung them together to make what looked a lot like Hawaiian Kukui nut necklaces and bracelets.

The man behind the mask LATE on Halloween night with his "Kukui nut" necklace and "stone" mask.

When the pieces were dry, we added the finishing touches: silk flowers, paper headdresses, and best of all – the eyes!

The “stone” Tiki had glowing red eyes made by cutting a Ping-Pong ball in half, coloring the inside red with a sharpie marker, then attaching a small LED flashlight to the inside of each eyeball.

Showing off the glowing eyes. Hey, where are my husband's eyes?

The “wooden” Tiki had moving eyes that had people fascinated all evening. Numerous people asked if there was some sort of device controlling their movement, but it was all analog! My husband again used Ping-Pong balls, but this time he used a marker to draw pupils on the outside, then drilled through the top, straight through to the bottom. Then he filled each eyeball partway up with rice to add weight. Finally, he strung each ball with fishing line and attached it to the mask. Voilà! Moving eyes.

The first place that we went in our costumes was my father-in-law’s house, where my brother-in-law did not recognize us, and gave us candy before we revealed ourselves. He didn’t believe that our costumes were homemade until we showed him the back with the wire framework and carry bar. Late in the evening, we crashed the party at my son’s house and stymied his roommate who tried to guess who we were for about 10 minutes. Wherever we went, nobody recognized us.

We won every costume contest that we entered that year, and I wish that we had entered more!

This year’s Halloween plans are not nearly as elaborate, but if we decide to “go big” again in the future, I think that papier-mâché is an inexpensive and versatile medium for creating amazing props and masks!

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More pictures of my husband's Tiki mask project.

The Tiki masks featured within this piece were designed and created by Erik John Rice, and used with permission of EJ Artworks.

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Allison Rice

Allison Rice has been writing and editing since childhood, She's an avid reader, a secret blogger, enjoys a good op-ed, and hopes that the Vocal community will inspire her to actually finish a draft from time to time.

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