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"As Above, So Below"

The significance of a phrase and incantation

By Iris ErdilePublished 2 months ago 4 min read
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"As Above, So Below"
Photo by freestocks on Unsplash

Enigmatic and profound, "As Above, So Below" whispers ancient wisdom into modern ears.

Originally derived from the Hermetic texts, this phrase encapsulates the essence of mystical symmetry between the macrocosm and microcosm.

Join me as I delve into the origins, contemporary interpretations, and the unexpected ways this timeless adage manifests in modern spiritual practices.

The Origins and Meaning of the Phrase

The phrase "as above, so below" is a cornerstone concept with its roots deeply planted in the mystical Hermetic tradition. Stemming from the Emerald Tablet, an ancient text attributed to Hermes Trismegistus, this maxim encapsulates the essence of Hermetic philosophy: the interconnectedness of the universe. The original text, believed to have been written in Arabic, conveys the idea that the macrocosm of the cosmos is reflected in the microcosm of individual existence.

Over the centuries, this concept has reverberated through various spiritual and occult communities, capturing the imaginations of cultists, alchemists, and seekers of hidden knowledge. Central to Hermetic ideas, the phrase has been echoed in the teachings of influential figures like Helena P. Blavatsky and adopted into the broader lexicon of witchcraft and spirituality. As it bridges the earthly and the divine, the saying "as above, so below" continues to be a guiding axiom for those delving into the esoteric understanding of universal harmony.

To this day, its profound implication—that every act and thought mirrors a larger scheme—inspires spiritual exploration, symbolizing a tapestry of cosmic balance woven through the fabric of all that exists.

Modern Interpretations and Applications

The venerable adage "as above, so below" has permeated modern consciousness, transcending its ancient Hermetic roots to become a meaningful aphorism for contemporary seekers. The second verse of the influential Emerald Tablet has taken on new life in popular culture, engrained through the impactful interpretations offered by occultists and spiritual theorists.

Notably, the significance of this phrase has been elevated by figures such as Helena P. Blavatsky, a cornerstone of the Theosophical movement, and the enigmatic authorship behind the Kybalion, often linked to the New Thought leader William W. Atkinson. Their works have been instrumental in redefining the phrase for modern times, charting pathways for its application across various philosophical and spiritual landscapes.

In today’s complex tapestry of ideologies, "as above, so below" embodies the intimate correspondence between the macrocosm of the heavens and the microcosm of the earthly domain. It engenders a worldview in which the linkage between higher and lower realms is more than mere poetry; it is a dynamic interplay that influences the fabric of reality itself. The phrase has been co-opted by various esoteric systems to denote a universe inherently interconnected, where every celestial movement or alignment holds reflections for earthly life and vice versa.

The depth of this principle continues to inspire fresh interpretations across cultures, forming the backbone of a global fascination with mystical and spiritual practice. It imbues a sense of unity with the cosmos and suggests a mirror-like relationship between our inner worlds and the vast expanses of the universe, cultivating a space where modern spiritual explorers can revisit eternal questions through an ancient lens.

Hermeticism in Contemporary Witchcraft Practices

Hermetic philosophy, with its concept of "as above, so below," finds a particularly resonant echo in the realm of contemporary witchcraft practices. Here, practitioners aim to mirror the celestial order within their own lives, anchoring spiritual power in the material existence to manifest tangible changes.

Drawing upon the wisdom of Hermetic texts, modern witches and neopagans tap into the energies of the cosmos, seeking harmony between their personal microcosm and the universal macrocosm. In doing so, they follow the footsteps of thinkers like Giordano Bruno, embracing the notion of an infinite universe and positioning themselves as divine works-in-progress, ever-evolving to embody higher cosmic truths.

For adherents of witchcraft influenced by Hermetic thought, "as above, so below" is more than a statement of correspondence; it's a directive for action. It becomes a sacred task of aligning one's self with the movements of the planets and stars, casting rituals, and creating magic that ascends to the celestial before grounding into earthly experience. It is in this spiritual craftsmanship that the Hermetic tradition breathes life into contemporary witchcraft, invigorating its practices with a timeless vibrancy.

The Concept of Correspondences in Cultist Beliefs

Within the sphere of cultist beliefs, "as above, so below" acquires yet another layer of meaning, deeply intertwined with the doctrine of correspondences as expounded by thinkers like Emanuel Swedenborg and further elaborated by Helena P. Blavatsky. This doctrine posits a complex, symbolic connection between all levels of reality, suggesting that visible phenomena are but reflections—or illusions—of invisible, underlying truths.

For cultists and occult practitioners, the Hermetic maxim offers a framework for decoding the mysteries of existence. It encourages a search for the 'types' – the pure forms or essences – manifesting as 'prototypes' within the tangible world. In this paradigm, history is a tapestry where characters and events of the past recur in various guises, recognized as prototypes shadowing the types of older, perhaps forgotten, religions and mythologies.

The phrase thus becomes a guiding principle in the occultist worldview, a statement about the cyclical nature of form and essence. It implies that by understanding one level of reality, insight into another can be gained, forming the basis of practices that seek to uncover and harness the connections between the seen and unseen, the past and the present, the divine and the corporeal.

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About the Creator

Iris Erdile

Educator, activist, writer, artist, healer, mystic

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