You People Review

"You People," a Netflix film co-written by Jonah Hill and created by the same mind behind "Black-ish," attempts to capture the spirit of classics like "Guess Who's Coming to Dinner." However, it falls short as an incoherent mishmash of talented individuals desperately searching for a cohesive storyline. It is one tiny rewrite away from a broad "Naked Gun"-esque parody of comedies that traffic in racial stereotypes and differences.

Honestly, most of those ridiculous movies feel more genuine than this relationship comedy, a movie that so rarely rings true it starts to make your skin crawl. No one talks like this. No one acts like this. And if a movie is going to traffic in racial differences like "You People" is so eager to do, it must at least strive for something honest to make the jokes feel less than shallow. Otherwise, it's only playing with hot-button issues, stereotypes, and lame jokes that idiots tell at bars. Despite the presence of numerous talented individuals whom I admire in "You People," and acknowledging that "Black-ish" provided years of laughter and sharper humor than this movie, it is truly surprising how devoid of humor this film turned out to be.

Hill plays Ezra Cohen, the co-host of a podcast with a Black friend named Mo (Sam Jay) about racial differences. It's one of those "chat about life/issues" podcasts, but even here, Barris and Hill's script sounds wrong right from the beginning. It's as if they have yet to listen to any podcasts with racial themes, overwriting the scenes with awkward dialogue that sounds so scripted (when the whole idea is that these podcasts are casual, off-the-cuff conversations). It's also a lame setup for what's to come. The film seems like it has to say, "See, this guy has a good Black friend. Don't worry about him."

When he accidentally gets into the wrong car, thinking it's his Uber, Ezra meets Amira Mohammed (Lauren London), and the two start dating. Cut to six months later, when Ezra has decided to marry Amira, and so steels himself to ask permission from her parents Akbar (Eddie Murphy) and Fatima (Nia Long). Akbar immediately sizes up Ezra and decides he's the wrong person for his daughter. He then tries to break Ezra, pushing him into sitcomish incidents designed to make him fail, whether putting him on a basketball court, wearing the wrong gang color to a barbershop, or even tagging along on his bachelor party trip. Murphy plays it all extremely straight as if he's in a drama about racial divisions. I'm all for not winking at the camera, but so many other performers in this film do so that it starts to feel like Murphy is in another one altogether. It's just one of the broad tonal issues that get away from Barris as a director, who never quite figured out what movie he was making enough to convey to his cast. No one is on the same page, creating a weird comedic disconnect from scene to scene and sometimes in the same beat.

Of course, there needs to be the other side of the coin in a movie like "You People," and that's represented in Ezra's parents, Shelley (Julia Louis-Dreyfus) and Arnold (David Duchovny). Duchovny mostly takes a back seat with a dry one-liner or two as Louis-Dreyfus plays the "other problematic parent" to Amira. Admittedly, the angle here is interesting regarding social commentary in that Shelley plays one of those women who see Black culture in purely superficial terms. Late in the film, Amira claims that Shelley sees her like a new toy, and I wish the film had the guts to explore that idea more—how people like Shelley can be fascinated by Black culture but not in a way that ever seeks to understand it.

Hill and Barris are constantly throwing in these interesting ideas and skipping away from them to the easy, unfunny joke. From its beginning—especially in an early scene of bizarre cameos from legends like Elliott Gould, Hal Linden, and Richard Benjamin—the dialogue in "You People" sounds like it came out of a machine designed to produce weird punchlines. There's an awkward rhythm to the movie that's so forced that it made me uncomfortable. It's not just the dialogue that sounds unrealistic—the film is awkwardly edited to drain its comedic rhythm too. Scenes are cut together with flashy graphics that I think are designed to be edgy but give it the structure of a sketch comedy show instead of an actual movie.

The tragic thing about "You People" is that it's a good idea with a great cast. It feels like we're overdue for a comedy about culture clash when racially diverse couples come together, but this isn't it. "You People" is not interested in any of the ideas it raises, always going for the cheap laugh or the inevitable heavy-handed conversation. It's just two hours of bad jokes in search of actual characters. There are bad comedies all the time, but when a script is so off-key that it fails performers as genuinely talented and likable as Hill, Murphy, and Louis-Dreyfus, it hurts a little more than it does with others.

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