MIXING TIPS (MUSIC)

ere are some steps to help you achieve professional voice mixing:

Record high-quality audio: The first step to good voice mixing is having a high-quality recording. Invest in a good microphone and make sure the recording environment is quiet and free from distractions.

Use noise reduction: Remove any background noise or hiss from the recording using noise reduction software or plugins.

Equalization (EQ): Use EQ to balance the frequency spectrum of the voice recording. Boost frequencies that enhance the voice, such as the presence range around 3-5 kHz, and cut frequencies that are not needed, such as low rumble or sibilance around 6-10 kHz.

Compression: Use compression to even out the volume levels of the voice recording and add punch and definition. Set the threshold so that the loudest peaks are compressed and adjust the ratio and attack/release times to taste.

Reverb: Add reverb to create a sense of space and depth in the mix. Choose a reverb that complements the character of the voice and use it sparingly.

Automation: Use volume automation to bring out specific words or phrases in the voice recording.

Reference Mixes: Finally, listen to professionally mixed songs in a similar genre to get a sense of how to balance the levels of the different elements in the mix, including the voice

These steps should help you

Here are some steps to help you mix beats and voice professionally:

Balance levels: Start by setting the levels of the beats and voice so that they sit well together in the mix. The beats should provide a solid foundation for the voice and not overpower it.

EQ: Use EQ to shape the tone of the beats and voice. For the beats, you might want to cut some low frequencies to make room for the voice, and boost some high frequencies to make them more present. For the voice, you might want to boost the presence range around 3-5 kHz and cut low rumble or sibilance around 6-10 kHz.

Compression: Use compression to control the dynamic range of the beats and voice. This will help even out the volume levels and add punch and definition.

Reverb: Add reverb to create a sense of space and depth in the mix. Use reverb to add depth to the voice, and choose a reverb that complements the character of the beats.

Panning: Use panning to create a stereo image for the beats and voice. You might want to pan the beats left and right, and keep the voice centered in the mix.

Volume automation: Use volume automation to bring out specific words or phrases in the voice, and to create energy in the mix by bringing up the volume of the beats at specific moments.

Reference Mixes: Finally, listen to professionally mixed songs in a similar genre to get a sense of how to balance the levels of the different elements in the mix, including the voice and beats.

These steps should help you get started with mixing beats and voice. Remember, mixing is a creative process, and there are many different ways to approach it. So, experiment and have fun!

Here are some popular beat mixing and mastering VST plugins that you can consider:

Ozone 9 by iZotope: This is a comprehensive mastering plugin that includes a number of tools for shaping the sound of your beats, including equalization, compression, and saturation.

Waves Plugins: Waves offers a range of mixing and mastering plugins, including the Waves L1 Limiter, which is a popular choice for mastering beats.

FabFilter Pro-L 2: This is a high-quality limiter that can help you achieve a clear, polished sound for your beats.

iZotope Neutron: This is a mixing plugin that offers a number of tools for balancing the levels and frequencies of your beats, including a dynamic equalizer and a spectral shaping tool.

UAD Plugins: Universal Audio offers a range of analog-modeled plugins that can add warmth and character to your beats, including the Fairchild 660/670 compressors and the Pultec EQP-1A equalizer.

Remember that mastering is a crucial step in the production process and can have a big impact on the final sound of your beats. It's important to use high-quality tools and to approach mastering with a critical ear to achieve the best results.