First Movement "Fear"

I dedicate this movement to the ones no longer present with us.

We love you

The task for this movement:

- Find a quiet place, close your eyes, and emerge in the music.

- Read the exercise after you have listened to the video.



Exercise:

Day 1

Musician: Dream, mom, dad, when I grow up, I wanna be. I'm gonna be, I am...... Mom, Dad?

1. Do you believe we live our piece (life) in wonder or expectation?

2. Are you able to identify when you play fear consciously (+) or unconsciously (-)?

3. What do you believe inspired your instrument to be the first to reach mother's womb?



Day 2

Composer: They cannot hear you. I know it is the most loving and, indeed, the most painful thing a composer must do.

1. Do you see yourself as a composer?

2. If yes, then you must be familiar with what composition is?

https://www.etymonline.com/word/composition

"to put together, to collect a whole from several parts,"

3. Is pain a form(harmonic) of fear?

Day 3

Composer: Abandonment, we fall in love deeply with the composition, how to not fall again after every measure we have played together. Wished we had played it a little bit slower to have the illusion of holding it just a bit longer. What remains is to contemplate how they humbly descend their instrument before the silences on their score as ours continues.

1. Which one do you believe came first, the composition or the composer?

2. What does love mean to you?

https://www.etymonline.com/word/love

3. Do we must forget to fall in love again?

4. Do you honor every score(member) in your Orchestra?

5. Find out what it means to play Abbandonatamente

https://www.etymonline.com/search?q=abandonment

Day 4

Composer: It is unforgettable, but precisely, its divine section drives ours to show up—a tangled intention seeking again the unconditional. Be calm. It is an honor to accompany you; the maestro has given the indication. Let's interpret the piece together, shall we?

1. Can fear be a good friend?

1. What do you interpret with "a tangled intention seeking again the unconditional"?

2. Who is the maestro?



Day 5

Composer: Sense the moist on your palms release its energetic warmth as you raise your instrument, it has begun, the electrical storms and the dark clouds convulse in your brain , look ahead, not above you, the arrhythmia screams the arrival to jump to the pulse of the piece, taste the adrenaline, the black hole's mouth stretch your pupils, inhale, focus on your score, do not lose sight of it, the cold air calls the last wave to be swallowed vigorously down your throat, your vocal cords get tense mutilating the air, everything combines, the shivers and the shudder moves the organic matter inside, the rhythm beats its thirst, allow the storm to be in its full state of disturbance, live the entrance of this moment, the sky is clearing yet gravity feels dense, paralyzes, the collision keeps trying to anchor itself between the past and the future of the work, the hurricane roars its transmutation, the distortion of your timbre bangs, feel the pain in your interior, let your eyelids embrace those warm tears, it is natural to precipitate among the possibilities, the oppression of this emotion demands its expression and release, the disconnection from the known manifests.

Musician: Fear serves me well, helps me stand on the horizon.

1. Is it possible that rushing the tempo of our piece or playing behind the beat biological?

2. Can love keep its balance if fear vanishes one day?

3. Which note(s) do you believe are the root of life and transformation?



Day 6

Day to catch up!

Day 7

Live Call will be posted on YouTube Channel.



I leave the link to the track if you wish to download it.

Thanks for your support.

https://thegreatcomposer.bandcamp.com/track/fear