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The Art of Revolution

An unexpected revelation as Cuban art lit up the day during a visit to Havana

By James MarineroPublished about a year ago Updated about a year ago 5 min read
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Street lamp art, Havana, against a backdrop of dilapidated buildings and a tourist trap foreground. Author picture © James Marinero

My introduction to Cuban art was a surprise. The first mate and I were in Havana on a flying three-day visit to Havana having left our boat — our home — in Cayo Largo on Cuba’s south coast. We’d arrived there from Grenada via Bonaire and Jamaica, sailing west then north across the Caribbean Sea, 1300 nautical miles. Even in the air terminal art was everywhere to be seen, and during our month there the art turned up in the most unexpected places.

In a bar in Santiago de Cuba. Author picture © James Marinero

In your face

There’s no escaping it, the art is everywhere, brightening up what is for many Cubans a drab existence.

Cuban art is popular because it is a mix of European, African and Amerindian cultures and it hits you in the eye on practically every street.

Cuban art in the 20th century is not just a timeline of events. It is a story of how art changed and evolved in the Caribbean country. The Cuban revolution had a profound effect on the art world, as it did on every other aspect of Cuban society.

It has always been a form of protest.

Always revolutionary

Cuban artists were constantly looking for new ways to express themselves and break away from colonial traditions that were still prevalent in Cuba at the time. The idea was to produce art that was reflective of their own culture, which they felt was being lost through colonialism.

The first Cuban art was practiced by the Taino Indians who lived on the island when Christopher Columbus arrived in 1492. The Taino style evolved and melded Amerindian, African and European styles. The first Europeans to arrive in Cuba were Spanish settlers who brought their own style of painting to Cuba. This new style of painting was influenced by the Taino Indians and became known as “Taino-Flemish”.

Post 1959 Revolution

Since the Cuban Revolution in 1959, the country’s art scene has been defined by its commitment to socialist ideals. The government has invested heavily in the arts, and Cuban artists have been encouraged to use their work to promote these ideals. As a result, Cuba has produced some of the most innovative and exciting art of the last 50 years. However, dissatisfaction with the government has always been a subtle theme.

Painting and sculpture are the two most popular forms of art in Cuba. Cuban painters have been influenced by a variety of styles, from European modernism to US pop art. Cuban artists have often used their work to comment on political and social issues. For example, the famous Cuban painter Wifredo Lam often incorporated Afro-Cuban influences into his paintings. He said they were meant to reflect the experience of black Cubans under the communist regime.

Here’s another example of modern day Cuban art:

Image credit: Juego de domino Soydcuba, CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0, via Wikimedia Commons

Aside: Even one of the staple meals in Cuba reflects this tradition. Black beans with rice is known as ‘Morros y Cristianos’ — Moors and Christians — reflecting the mixed racial heritage of Cuba

Music

Cuban music is also world-renowned. The country has produced some of the most influential musicians of the last century, including the late Buena Vista Social Club singer Celia Cruz and pianist Chucho Valdés.

Cuban music is a mix of African and European influences, and is often very lively and upbeat.

Author Picture © James Marinero

The Castro government invested heavily in education and it’s quite normal to see classically-trained musicians playing in bars at night, as we did.

‘Mis Caniones’ playing in a bar in Havana, 2017. A short set of six numbers then away to play in another bar. They were all classically trained and it was a pleasure to pay a few dollars for their CD. Author picture. © James Marinero

Theatre

Cuban theatre is another important part of the country’s cultural scene. Cuban playwrights have tackled a wide range of subjects, from the country’s history to the experiences of its people under communism. Cuban theatre is often very political, and, perhaps surprisingly, many plays have been critical of the government.

Gran Teatro de La Habana at night. Author picture © James Marinero 2017

Building design

Building design in Cuba has also been affected by the country’s communist ideology. Architects have been tasked with creating functional and attractive buildings that reflect the socialist ethos. As a result, Cuban cities are filled with arguably interesting and unusual buildings, from high-rise apartment blocks to brightly coloured housing projects.

They are not all to everyone’s taste.

Recently Cubans have focused more on restoring their colonial and post-colonial era buildings because they have recognised the tourist value of their architectural heritage. That I appreciated, but none of the newer buildings were notable for me.

Author picture snatched from a car © James Marinero

The cars

A legacy from the years of the Batista regime when Meyer Lansky was heavily involved in the crooked world in Cuba, the cars are a living artform. Yes they reflect US automobile art from the 1950s, but where else in the world could you walk through a gallery like this?

Ford Thunderbird. US automobile art on display and in everyday use in Havana, Cuba. Author picture © James Marinero

My conclusions

Cuba’s art scene is vibrant and diverse, and reflects the country’s complex history and culture. Cuban artists are known for their innovation, their commitment to socialist ideals, and their ability to comment on political and social issues through their work.

Cuba’s art scene is truly unique. Some would says that its commitment to socialist ideals has produced some of the most innovative and exciting art of the last 50 years. For me, artists are artists and we’d have had great art revolution or not.

Different perhaps, but art nevertheless.

I had a great time there and even the artwork in the cemeteries can be enjoyed, if you have the time…

Chess grandmaster Capablanca’s tomb. Colon Cemetery, Havana. Author picture. © James Marinero

pps, I almost forgot!

Writing

Yes, writing is an artform too. I confess that I have not, to my knowledge, read any works by Cuban writers although I have read several engaging thrillers set there, books which gave me a taste and a wish to visit (e.g. Martin Cruz Smith - Havana Bay).

But here’s just a little of what I’ve discovered.

Following the Revolution of 1959, writers from all backgrounds were confronted with the material restrictions that immediately arose. Paper and ink were in short supply, and the scarcity was exacerbated by a lack of publishing and binding facilities. Writers were expected to ‘toe the party line’.

The new egalitarianism and sexual equality meant that Afro-Cuban women writers were able to find their voices, fueled by the nation’s desire to define Cuban culture. The expansion of educational opportunities for all Cubans through the free education system was a contributing factor to their blossoming success.

To complete the picture of Cuban art post-revolution, there were a few writers who rattled cages, but I’ll mention just two who both escaped from differing regimes in the 20th Century:

- Alejo Carpentier y Valmont, 1904 — 1980. Although born in France he identified himself as strongly Cuban having moved to Havana as a child. Carpentier was passionate about Latin American politics and frequently aligned himself with revolutionary causes including Castro’s.

- Reinaldo Arenas, 1943–1990. Arenas was viciously persecuted for his literary criticisms of Fidel Castro’s revolution and his open homosexuality, became an international literary sensation by smuggling his books from Cuba. Arenas fled to New York in 1980.

Ernest Hemingway was not a Cuban writer but La Floridita is a bar he frequented to seek inspiration in daiquiris. We had a great time there!

La Floridita, a Hemingway haunt. (c) James Marinero

Cheers!

===

Another of my stories of Cuba:

Originally published March 26, 2022. Canonical Link

caribbeancultureart
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About the Creator

James Marinero

I live on a boat and write as I sail slowly around the world. Follow me for a varied story diet: true stories, humor, tech, AI, travel, geopolitics and more. I also write techno thrillers, with six to my name. More of my stories on Medium

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