Where Home Went After It Was Gone
This piece is about the kind of loss that doesn’t happen all at once... the kind that lingers in places, in memory, and in the versions of ourselves we can’t return to.
The house still stands on Maple Street, but empty—
a body without breath, the windows dark as closed eyes.
I drove past last week and didn’t recognize my own childhood
in the new shutters, the unfamiliar shade of blue
where my mother’s garden once held tomatoes like small suns.
>
Home isn’t a place; it’s a permission that’s been revoked.
The kitchen where my father made pancakes on Sunday mornings
now belongs to people whose hands I’ll never know,
who will never understand that the loose floorboard by the sink
was my mother’s first heartbreak—the house settling
into its own grief, into the bones of the earth.
>
I remember the smell of rain on the front porch,
how it mixed with jasmine, with the grass my brother mowed,
with something like safety that doesn’t have a name
until it’s gone. Then every ordinary thing becomes a relic.
The oak tree we carved our initials in—
they cut it down. Progress, they called it.
As if memory has a second copy.
>
Even the permanent things—
the front door you closed ten thousand times,
the banister worn smooth by small hands—
become someone else’s story.
I’m not even a ghost there anymore.
I’m just someone who used to live there.
>
Grief isn’t always sharp. Sometimes it’s the quiet ache
of finding your old report card in a drawer,
of catching your mother’s perfume on a stranger,
of passing the school where you learned your own name
and realizing that girl is gone too—
that you’re mourning her as much as the house,
the time when you believed in forever.
>
They painted over the marks on the doorframe—
my height, my brother’s, my father’s mark
made in the year before he died.
We thought we’d always be there to see how tall we’d become.
>
What remains is this: the muscle memory of home,
the way my hand still reaches for light switches
that no longer exist. The dreams where I walk those halls
and everything is exactly as I left it—
the blue carpet on the stairs, my mother calling,
my father in the study, my brother alive and seventeen.
>
These dreams are the only country where I still belong.
Not the house, but the waking—
the return to a world where some doors, once closed,
stay closed. Where some people, once gone,
leave nothing behind but the shape of their absence.
>
The house on Maple Street is still there.
But home has moved somewhere I can’t follow—
into the past tense, into what was,
into the quiet distance between
what I had
and what will never be again.
_________________________________________________
About the Creator
Aarsh Malik
Poet and storyteller who believes in the quiet power of words.
My first book, QUIET FLAME
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