Veil of Nightmares: A Symphony of Fear.
Journey into the Abyss of Unseen Horrors.
In the moon's cold glare, where darkness unfolds,
A tale of terror, where the unknown holds.
Whispers of dread, in the dead of night,
Invisible horrors, an eerie, chilling sight.
A haunted house, its walls dripping red,
Echoes of anguish, the restless dead.
Ghastly apparitions in the shadows hide,
In the heart of fear, where nightmares bide.
In this macabre theater, terror takes its bow,
A symphony of horror, chilling, here and now.
Dear reader, as you dare to read this verse,
Beware, for in these words, nightmares immerse.
Within these lines, a shiver down your spine,
In the depths of dread, fear intertwines.
About the Creator
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A Flower Song
Apparently the Aztecs, Toltecs, Chichimecs and other Mexica were crazy about poetry. Despite the book-burning, slaughter, and epidemics that characterized the early stages of the Spanish conquest of the empires of Mexico, some hundreds of poems from the height of their tradition come down to us in Classical Nahuatl, preserved by Nahua and Spanish scholars of the 16th century. One of the most famous poets, Nezahualcoyotl, was a sage-king who opposed the cult of human sacrifice associated with Tezcatlipoca, God of the Smoking Mirror, and favored Quetzalcoatl, the Feathered Serpent. Flowers and feathers were the favorite offering of the Plumed Serpent. Moreover, flowers and feathers are a metaphor for poetry. Individual words, scattered petals, the down of tropical birds. The temples of blood sacrifice could be transformed into temples of flower and song. A sublimated offering to the Heart of Earth and the Heart of Sky encapsulated in the Classical Nahuatl kenning for poetry: in xōchitl in cuīcatl, meaning, "the flower and the song." The following poem is part of a longer work, and is in a state of flux, so take the waters as they flow:
By Rob Angeli6 days ago in Poets
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