The Wrong Version
A Slow Erosion Threatening Vanish
I was supposed to say yes.
To the city, to the open mic, to the boy who called me fire.
To the late-night bus and the wrong job and the solo apartment
where I might’ve cried freely and become whole.
***
But I said no.
No, because I thought my thighs were too large
for that stage,
for that desk,
for that bed.
No, because the fear said:
They will see you.
They will know you are too much and not enough.
They will laugh at you and leave.
So I stayed where leaving wasn’t an option.
***
Depression told me I’d fail.
Anxiety told me I’d choke.
My parents said I was brave—for staying.
Brave for being good.
For folding myself into their version of safety
like linen into a drawer.
***
They said:
“Pick something secure.”
“Be careful with money.”
“Think of the kids.”
“Don’t ruin your life with dreams.”
***
So I became practical.
Efficient.
Tidy in my undoing.
A mother with full arms and a silent throat.
A wife without edges.
A body that moved through days
like it owed them something.
***
I stayed in the middle of the country
where the people are kind until they know you,
where every street says, “Be smaller,”
where even my voice feels like a scandal.
***
I had no community.
Only obligations.
Only recipes, carpools, the careful choreography
of disappearing while smiling.
***
And the whole time,
I thought I was too ugly to run.
Too fat to be seen.
Too loud to be loved.
I said no to risk,
because I thought I had to earn beauty
before I could ask for anything.
***
But I look back now—
at that photo on the roof, that dress, those eyes—
and I was gorgeous.
Radiant in a way that didn’t need fixing.
I was the girl who could have gone.
And I didn’t go.
***
Now my knees ache.
Now the mirror tells the truth,
and the truth is cruel in its timing.
Now I chase health like a penance
and forgiveness like it might arrive in the mail.
***
This isn’t self-pity.
This is evidence.
Of a life built around the wrong axis.
Of a woman raised to serve survival
and call it joy.
***
I want to say it’s not too late.
But the truth is—
some trains don’t come back.
Some doors close without slamming.
***
And some girls don’t die.
They just become
the wrong version
of who they were supposed to be.
About the Creator
Fatal Serendipity
Fatal Serendipity writes flash, micro, speculative and literary fiction, and poetry. Their work explores memory, impermanence, and the quiet fractures between grief, silence, connection and change. They linger in liminal spaces and moments.
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