The Shape You Left Behind
What the House Remembers

There are two mugs in the cupboard.
I use one.
The other waits
behind the sugar,
its handle turned towards the wall
as though it has learned
not to expect a hand.
Your coat is gone.
For weeks
the hook beside the door
kept its shape,
a small metal question
I could not answer.
I moved the chair
back beneath the table.
It drifts out again.
Not far.
Just enough
to look occupied
from the corner of my eye.
The clock in the kitchen
runs four minutes fast.
The hall light
flickers twice before it stays.
One floorboard complains
outside the bedroom.
You knew where to step.
I still step there.
At night
the house grows larger.
The staircase lengthens.
The rooms move apart.
Even the bed
seems to acquire another country
on the side where you
used to sleep.
Sometimes I wake
and reach across.
My hand finds
only the cold grammar
of the sheet,
the sentence ending
where your body should be.
People ask how I am.
I tell them:
fine.
It is an efficient word.
Four letters.
No explanation required.
No need to describe
the supermarket aisle
where I still reach for two,
or how I sometimes hear the gate
and wait,
or how your name remains
inside my phone
because deleting it would mean
agreeing.
There are two mugs in the cupboard.
I use one.
Tomorrow,
perhaps,
I will move the other.
But not today.
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