The One Who Follows
Being an Account of What Walks Behind
There is a logic to dread.
I have given my better years to its study,
charted its progressions through the long accountancy
of sleepless rooms,
while the house breathed its old indifference around me
and the lamp held on by will alone.
π€β¬€π―οΈ
I know solitude.
Solitude has a density all its own,
a pressure against the eardrums like deep water,
and I have learned to read it
the way a sailor reads a changed sea.
π€β¬€π―οΈ
This is something else.
It began as a thinning,
a quality of the space behind me
that shifted in ways I lacked the instruments to measure.
A subtracting.
A held breath that belonged to no lung I could locate.
π€β¬€π―οΈ
I did not turn.
To turn is to acknowledge
that the sensation has a source,
that the source has a shape,
that the shape has been moving toward me
with the slow, unhurried confidence
of something that has outlasted patience entirely.
Something for which waiting is not suffering
because it does not experience time the way I do.
π€β¬€π―οΈ
I did not turn.
I counted instead
the interval between my step and the sound that followed.
Too irregular for settling wood,
too consistent for coincidence,
holding to a rhythm that only volition produces.
π€β¬€π―οΈ
The philosophers have argued
whether a thing unobserved can be said to exist.
I have ceased to find the argument interesting.
What gathers behind me
requires no philosophical resolution.
It requires only my continued walking,
my continued refusal to look,
my continued performance of the belief
that the cold accumulating at the back of my neck
is a matter of season.
π€β¬€π―οΈ
There is a presence.
I will not give it a title.
Titles are agreements,
and I have grown careful about what I agree to.
π€β¬€π―οΈ
But I will record this:
it moves when I move.
It stops when I stop.
It has learned, or always understood,
the precise location of my uncertainty.
π€β¬€π―οΈ
Perhaps it has tracked me for years
and I only now carry the raw sensitivity to detect it.
Perhaps prolonged grief dissolves
the ordinary insulation of the mind
and leaves a man receiving signals
he was constitutionally unfit to receive.
Perhaps.
π€β¬€π―οΈ
Or perhaps the world has always been this way,
a long corridor with something at the far end of it,
and we advance toward what we can see
because the alternative
is to turn and reckon with what we cannot.
π€β¬€π―οΈ
I reached my door.
I set my hand upon the latch.
Behind me, the street, if it remained a street,
held a stillness of the wrong variety,
a stillness too total for any city I had inhabited,
a stillness that leaned against my back
like a second intention.
π€β¬€π―οΈ
I went inside.
I turned the lock.
I stood in the dark and listened
to whatever occupied the other side
arrive at its conclusion
with extraordinary composure:
that it could wait.
π€β¬€π―οΈ
It has always been suited to waiting.
That is the central fact of what follows a man.
It carries no urgency,
harbors no grievance against time.
It knows where I am going.
It has known considerably longer than I have.
π€β¬€π―οΈ
And it is certain, in the way that only the inevitable can be certain,
that I will open the door again.
About the Creator
Tim Carmichael
Let your becoming be louder than your fear, and your smallest steps become the road you once thought impossible to walk. An Appalachian poet and cookbook author my book Beautiful and Brutal Things is on Amazon, Link π
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