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The Moment After

an ekphrastic poem after Cabanel’s The Fallen Angel (1847)

By Carolina BorgesPublished about a year ago • 1 min read
The Fallen Angel, an 1847 oil painting by French artist Alexandre Cabanel.

They cast him down,

but didn’t dare mar his face.

Beauty like that isn’t made to be destroyed—

only exiled.

He sits in the ash of Heaven’s refusal,

fists clenched,

as if he could still grasp

the light that betrayed him.

One tear slips. Just one.

Even damnation allows that.

The rest is swallowed,

tightened into the jaw,

held hostage behind those flame-laced eyes.

Wings still white—

not yet rotted by resentment—

fold in, half-shamed,

half-defiant.

He is not begging for return.

He is waiting.

For the world to tilt.

For the silence to speak.

For the war they said he lost

to write him back

as victor.

A close-up of The Fallen Angel.

Author’s Note:

I wrote this after seeing The Fallen Angel by Alexandre Cabanel. It shows Lucifer right after he’s been cast out of Heaven—furious, heartbroken, and still hauntingly beautiful. What stood out to me was the tear. Just one. I do believe his fall was deserved. He wanted to be like God and chose pride instead. But that image made me think—God lets us fall too sometimes. Not to punish us, but to bring us back. And in a world that feels more cruel and disconnected every day, my faith has only gotten stronger. Maybe the devil’s still out there refusing to return, and maybe that’s why things feel so heavy. But I know God never really leaves. If this poem moved something in you, sit with this question for a moment: What have I fallen from—and what is God calling me back to? Feel free to share your thoughts in the comments, or leave a tip if you’d like to support more poems like this.

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About the Creator

Carolina Borges

I've been pouring my soul onto paper and word docs since 2014

Poet of motherhood, memory & quiet strength

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    Written by Carolina Borges