
I am holding a rectangular object
made of glass and aluminum.
It weighs exactly one hundred and seventy-four grams.
*
Inside this casing, there is a list of four hundred names.
Eleven of these people are dead.
I know they are dead
because I attended their funerals
or I was told about their deaths
by other people on this list.
*
I have not deleted their contact information.
I can see the specific arrangement of letters
that forms their names.
*
If I were to press my finger against the screen,
the device would attempt to establish a connection.
It would send a signal to a cellular tower.
The signal would travel to a server
and then to a handset
that is currently sitting in a drawer
or has been recycled into new components
for a different machine.
*
The call would not be answered.
There is no functioning vibrating motor to alert anyone.
There is no eardrum on the other end
to receive the sound waves.
*
I am keeping these names
because they are the only physical evidence I have
that these people once occupied a space next to me.
*
Their names are stored as binary code.
Zeros and ones etched into a flash memory chip
smaller than my fingernail.
*
The chip does not care if the person is breathing.
It only cares about the electrical charge required to maintain the data.
*
I spend three minutes looking at a name.
The person died in 2019.
*
The phone I used to call them in 2019 is gone,
but the data has been migrated three times
to this specific piece of hardware.
*
I am carrying the dead in my pocket
as a collection of stable electrons.
*
The concern is the permanence of the record
compared to the fragility of the body.
*
The concern is that I am talking to a piece of glass
about people who can no longer hear me.
About the Creator
Tim Carmichael
Let your becoming be louder than your fear, and your smallest steps become the road you once thought impossible to walk. An Appalachian poet and cookbook author my book Beautiful and Brutal Things is on Amazon, Link 👇
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