There is, I have observed, a peculiar cruelty in those afflictions which announce themselves long before they arrive. Joy, with all her generosity, appears unexpectedly, asking nothing but acceptance. Sorrow, however, possesses the manners of a distinguished guest. It writes ahead. It allows one ample opportunity to prepare the room, to anticipate every word of its conversation, and to surrender peace before it has crossed the threshold.
How extraordinary that the heart should exhaust itself grieving what has not yet occurred.
There are evenings when one becomes acutely aware of one's own pulse, as though the heart, dissatisfied with its quiet office, had resolved to make itself heard. It beats softly against the ribs like a hand upon an old oak door, patient and persistent, each rhythm asking questions the mind cannot answer. The body, it seems, often believes calamity long before reason has found sufficient evidence to agree. It is a curious thing to carry within one's own chest both the instrument of life and the drum upon which fear so eagerly rehearses.
The world, meanwhile, conducts itself with its usual elegance. Dawn gathers in the low places like pale silk drawn gently across the earth. Dew hangs upon each blade of grass with the confidence of tiny stars reluctant to surrender the morning. Horses breathe slow clouds into the cool air before lowering their heads into emerald fields, finding satisfaction in ordinary things. The wind, indifferent to private calamities, continues its gentle discourse among the oaks, while the leaves answer in whispers too ancient to be hurried. One cannot fault nature for her consistency.
It is only the mind that proves so unreliable a companion.
Mine has become practiced in expectation. It has learned to discover storms in the most accommodating sky and to interpret every silence as the beginning of farewell. It is a talent I never sought to cultivate, yet one that has grown with remarkable diligence.
Depression is seldom dramatic in its arrival. It prefers refinement. It removes delight by such careful degrees that one scarcely notices its departure until every familiar pleasure has quietly excused itself. One does not awaken in despair. One awakens merely less persuaded that hope has any pressing engagement.
What a polite thief melancholy is.
It never demands the whole of the heart at once. It borrows a little each day until the owner begins to suspect he had never possessed it in full. Yet even then, somewhere beneath the weight of weariness, the heart continues its faithful labor. It keeps its quiet rhythm through sleepless nights and unanswered prayers, asking for nothing more than another moment, another breath, another dawn.
Yet I remain persuaded of one small truth, though I confess it reluctantly.
The seasons have never once consulted my fears before changing.
Spring has arrived after winters convinced of their permanence. The trees, whose nakedness appeared almost indecent beneath January's sky, have accepted green again without apology. Even the smallest wildflower possesses the astonishing confidence to bloom where last month there was only frost.
I have watched frightened birds return to the same branch after the wind has spent itself. I have seen foals rise upon uncertain legs, trembling with every heartbeat, yet still choosing to stand. There is, hidden within creation, a stubborn insistence upon beginning again. It asks no permission from fear.
Perhaps the soul is not so different.
Perhaps anticipation has mistaken itself for prophecy.
And perhaps tomorrow, with its usual disregard for all my careful expectations, will arrive not bearing sorrow, but mercy—having never thought it necessary to announce itself at all. Perhaps I shall wake to discover that the heart, which yesterday seemed determined only to race toward grief, has remembered another rhythm entirely. Not the hurried cadence of fear, but the quiet, faithful beating that has carried me through every season I once believed would surely undo me.
For hearts, unlike fears, were never fashioned merely to anticipate endings. They were made to endure them, to begin again, and, by the grace of God, to keep beating toward mornings not yet imagined.
About the Creator
Taylor Ward
From a small town, I find joy and grace in my trauma and difficulties. My life, shaped by loss and adversity, fuels my creativity. Each piece written over period in my life, one unlike the last. These words sometimes my only emotion.
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