South Texas Christmas, 1966
I am sifting through old memories, now that they’re both gone.
This will be the first Christmas I face without their presence,
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his, brooding and implacable, hers, stoic and tough,
leathered by decades of marriage to a traumatized boy
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who had no way to express his pain.
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Christmas at 326 Southwest First Street followed the conventions:
a tinsel-wrapped tree, capped with a department store star
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from the Lebanese shop one town over, a wreath on the door,
another inside, because she loved the pine smell permeating
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the house. Tamales instead of gingerbread, no mistletoe
because that was for the pagans, the church-inspired fear of Saturnalia
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still sifting through her ancient memory, even if she didn’t realize it.
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Christmas was always her thing. Most things to do with us
were her thing; my father was present mostly out of obligation,
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it seemed to me, and as seldom as possible – absent even
when physically present. Like a roaming king visiting a remote castle,
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no time for laughter, no time for smiles, no expressions of joy.
My sister and I strove to keep invisible, lest we upset
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the fragile balance and drive the king into a memorable rage,
but it came anyway, more often than not. Then we’d flee to
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our respective hiding places, she and I, and employ the coping
mechanisms a six-year-old and a three-year-old could devise,
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until the shouting ceased, and the uneasy quiet settled.
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In 1966, my sister and I saw snow for the first time. Rare
for South Texas, rarer still than a light dusting, this was
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enough to make snowmen and snowballs and leave tracks
all over the front yard, tracing us playing tag with one another
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between the three leafless ash trees spaced evenly apart,
east to west. The memory is triggered by a photo we found
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in my mother’s albums after she passed this year, and I remembered
the childish delight of our joyous little screams, the breathless wonder
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of experiencing such rapture from nature at that time of year.
I remember her sitting on the top step of the concrete porch, bundled up
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against the cold, watching over us, the way she always did. Seeing us dip and
weave and hide behind each tree in an unending, joyous chase, until the snow
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lay trampled underfoot and the dark dusk came and she called us inside.
What I didn’t know, what I didn’t learn until many years later, was that
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the king had been watching us from inside the house, as we traipsed and
stumbled and squealed with joy at the unexpected, unbidden gift.
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Decades later, when she showed me the photos again as we prepared her move
after the king’s passing, she told me: “Your father always loved this photo.
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“He said you two looked like little deer playing in the snow.”
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I remember the feeling I got when she said those words to me,
how it helped transform my image of him, helped me understand
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he was just a man. Softer than some, harder than most, as much
a victim of his own upbringing and environment as I later became,
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and terrified more often than not, I imagine. I knew that feeling myself,
for a long time, and I’m grateful I’ve been able to break that cycle in my own life.
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I do not follow the seasonal conventions anymore, except for loving
my people and giving them thoughtful gifts when I can. I have seen
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many snowfalls since that winter of ‘66, but the image of
a king hidden behind a curtained window, smoking Marlboro Reds,
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watching me and my little sister cavort like late winter fawns,
and knowing he was capable of feeling and expressing such sweet sentiment…
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That has proven to be a gift greater than most.
About the Creator
David Muñoz
I'm a recovering artist in Austin, Texas. Stoic student, mystic, writer, poet, guitarist, father, brother, son, friend. I am an eternal soul living a human experience. Part of that experience is working through my stuff by making art.
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