Reflection on my tendencies, words, and the fear of impermanence
On loving a stroke survivor
There are days (most of them, I’ll be honest)
that I wish you’d say I love you more;
go out of your way
to vocalize something
that we both Know—
the way we are both Knowing that
whatever comes after this
beats this place by a long shot, and
hoping you’ll hang in there when some
days it seems gravity and the brokenness
of an evolution that favored
minds over limbs
is bent on bending you to it’s own will.
I don’t know why
it matters to me so much—
some utterance—
when I know you were lucky
(which is the littlest of words I could use)
to retain your words at all.
Your beautiful words,
all those you’ve given me
in the passing evenings,
while the show is paused
and the rain lashing that metal roof
we’d hoped would give us more of a show,
or in the depths of contemplating
whatever all of this even is
while I’m lying next to you.
Even those words you’ve given me,
when I dare break another glass
because I don’t like what I see in you me.
So why am I hung up on certain words?
Like some prayer to be said
whenever the moment arises,
lest I die before I wake
without having asked one more time
for forgiveness?
Because I do Know the way you love me.
It’s evident in the way you move,
even if less fluidly now.
It’s evident in the thoughts you have that
I will never hear,
those that somehow slip through
the cracks of these walls that house us,
the privilege that is birthed from those
few silences that are still allowed to exist
between lovers; those unspoken things
that leave their taste on everything
you do.
But I focus on the gaps,
and cling to a need to hear you say it
one more time,
Because, I suppose,
somewhere in me
that’s still fueled by insecurity,
I know you love me
the same way we are knowing
that the sun will rise:
With a vastness of certainty
that I can hold in my hands
to marvel at for a moment,
made all the more terrifyingly beautiful
for that little whisper
that still exists therein—
but what if it doesn’t?
About the Creator
Sara Elise MacDougall
Southern Gothic writer and poet of the thin places between memory, landscape, spirit, and what remains unknown.
Where the metaphysical meets the mundane. Both the head and tail of the ouroboros;
Enjoyed the story? Support the Creator.
Subscribe for free to receive all their stories in your feed.
Comments
There are no comments for this story
Be the first to respond and start the conversation.