
Two acrylic circles
and a string wrapped tight,
hard against a firm thigh,
waiting in a pocket, the white
butterfly’s wings frozen,
splayed out, every nuance
of color, every flake of white
on a battered blue background
on display in a cotton cage,
contained since the paint was new, surfaces smooth.
The force of the unyielding circle
nearly unbearable
when thighs fold into a lap, until shifted
into a more comfortable place
Youth is braided into the string,
an invisible gossamer thread
spun of freedom and dreams,
mystery and magic holding it together
all these years. After the last comfortable position
becomesunceasing pressure,
threatening manhood,
the hand
surreptitiously
slides fingers
into the
fabric gaping open
at the hip,
working the toy to a place of escape,
drawing it out into azure air sparkling with sunlight,
fingers tracing the remnants of the butterfly, most of the intricate wings worn away by the friction of the pocket’s interior fabric.
The string is unspooled gently, then pulled tight and wound up, one finger finding the loop, sliding in with ease, pulling it into its crotch.
The skilled outward fling puts the butterfly in motion, flying on sparkling wings until the string snaps it back into the palm that repels it back for another spin through open air, rapid motion obscuring scars, divots a fluttering blur.
The return feels like it’s lagging, returning to
the palm at longer intervals
with less snap
until it’s just an old piece of plastic dangling from a deteriorating string
and the dog is walked one last time.
The string is wrapped around the butterfly,
and it finds a new home on a shelf with other relics of youth,
the grubby string tucked out of sight.
About the Creator
Harper Lewis
Intrusive rhyme bothers me, except as a weapon.
Intertextuality is my passion.
Formalist/ New Critical are my guiding theories.
My words are mine, not a robot’s.
MA English literature, CofC
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