I’m standing outside of the Chelsea Hotel
reading the bronze plaques commemorating some
of the literary luminaries who passed through
this seedy sanctuary on their way to immortality
and left their unique stain in the storied history
of this building which towers over me like a dark fortress.
Dylan Thomas lived and labored here during the
final dark blaze of his booze soaked life before
he yielded to that good night at only thirty nine
and so too did Thomas Wolfe ride out the rest
of his ecstatically quick flash of a life,
only a year between their ages when their
raging flames were so prematurely snuffed out.
Looking up at the rows of dark, dead windows,
I picture the room Leonard Cohen occupied
as Janis Joplin sucked him off on the unmade
bed as the limousines waited in the street,
while across the hall, Edie Sedgwick lies lost
in a leaden heroin dream, having ignored
Cohen’s warning just the previous day
about her unfortunate arrangement of candles,
as a forgotten flame begins its climb up the curtain.
In another room sits Dylan alone in the bottom
of the night writing Sad Eyed Lady of the Lowlands
with hollow, Benzedrine eyes and a Methedrine mouth.
I see Sid Vicious awakening in a trashed room
to find Nancy dead on the bathroom floor bled out
from the single stab wound he dealt her
during a bloody whirlwind of drunken fighting.
I see Patti Smith leaning on the cold balcony railing
outside her room, smiling slyly, dark eyes burning
with secret fire as Robert readies the camera.
Somewhere up there in a dark room of lost time,
Burroughs is still serving his Naked Lunch while
Ginsberg and Corso sit cross-legged on the bed,
speaking soul to soul and contemplating the void.
They’re all still up there in some form, these
luminous ghosts, these beautifully strange guests
roaming around on this sad earth, still passing
through the hallowed halls of the Chelsea Hotel
on their endless journey into eternity.
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