The sideline shuffle in Dallas,
able to move only as far as the person next to
you, you watched
when Kennedy's crimson confetti
summoned Jacqueline's cry
as motivated as the crowd
cheering. The linked
voices shooting, tongues flayed,
towards the only hope they were given.
Only after the burn
of metal faded, did she dawn black.
In the way of her mourning
ancestors. A strict stain,
the restriction
and comfort of tradition.
A forvigen tension
between widow and mother,
the threads of pity in their veils,
for who loves, grieves.
So similar thus my subjection to history,
is to the honor of dirt.
Scattered, one loved one
after another, salt of our Earth,
over my brother's urn.
The proud ovens, the last
to hear the clattering of laughter
in his bones.
We walk on.
Carrying the condolences
of those who'll never know
his daughters,
as ants trekking a corpse
to the colony.
One after another.
And if fortunetelling
had been my mother's past time,
I believe her still
to be brave and wise enough
to love all her children dearly.
Valiant enough
to receive from life, her pride,
to watch her son play on the Grand piano
where Doc Holliday died.
Even if God foretold
of an infant's blue body, of the silent
step, gaze
of strangers taking their blessings
form the bound baby,
sin never leaving their mind,
one after another, finding gratitude
in the child's cold glory,
my mother
would have never stopped loving.
As Mary knew:
Fate is grief on the shoulders
of years, passed
from one Death Mother
to another.
Our hearts, urns,
filled with the salt of our nature.
A rattling weight we carry in our cavities,
even as we rise as one:
part of the parade of light
and weightlessness we were promised.
This marching rhythm has played
to me as the pulsing of my blood.
The lullaby of my infancy, the DJ of my youth.
I have known my place
amongst the women unashamed to die.
About the Creator
Angela Michelle
A continual practice.
Short essays, poetry, esoteric musings
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