My Mother’s Friend’s Dead Mother’s House is For Sale.
The inside is larger than the outside.

My mother’s friend’s dead mother’s
house is for sale.
Mom reminisces as we drive by
vague memories
of a simple bungalow
And then she is gone and I –
I’m accompanied by a young woman on the doorstep.
Her features flicker and change
A circus of people traipses across her visage
She beckons me enter.
Close the door, she urges,
Before the night comes in.
The inside is larger than the outside.
Are you in the market?
The market for what?
The market for a house.
She shows me around.
The tour is quick.
A single golden room,
all necessary rooms combined.
The basement? A brisk query.
Down here the ceiling rises only to my hip.
We crawl around like moles.
Still, there is a sofa with no legs
for solitary reposing.
Outside? She is flighty and impatient.
The house backs onto a steep, stony river.
I close the door behind me
and admire the deafening turbulence.
But when I turn the house is gone.
Well, it’s not gone gone.
It is a ruin, a shambles,
grey stone rubble and garbage.
The woman is amongst it like a magpie.
You closed the door, she accuses me weakly,
and now the spirits cannot roam.
But the night, I argue, you said the night –
The photos don’t have to be accurate, she cries,
as if crumbling under interrogation.
You don’t have to show what the house is
Only what it could be.
And now I know that she is dead.
When I step inside the walls, it is whole and golden again.
See? She says breathlessly. So much potential.
I tell her I have to go.
But you haven’t seen the upstairs!
She is desperate now, her face always in motion.
The door to upstairs is black.
When she opens it, all is black inside.
A whooshing scream, a sucking yowl –
she smiles feverishly at me.
I can’t, I insist.
I’m afraid you’ll keep me up there forever.
(I’ve never been so honest,
nor so abrupt,
to a single person
whom I didn’t want to disappoint)
I turn and leave.
The front door opens seamlessly.
Mom is waiting in the car –
She smiles and waves.
The sunlight is dappled and grand.
I’ve never been so happy to see her in my life.
But then
she freezes.
Goes grey.
Her eyes
they shutter
and shift
and fixate
on something
behind me.
They widen.
And then,
She drives away.
About the Creator
Brittany Veenhuysen
I am a Canadian writer who loves surprising twists, nuanced characters, melancholic settings, and memorable conversations. My writing is more than half as good as the day is long, but not nearly as long as the half-baked bread.
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