What is this miracle, this
alchemy of words, language,
allowing me to make shapes on a page
or screen
and create a gnarled cypress, knees
rising from the river
in your mind,
make you smell the fresh,
green-wet fragrance of cedar
while hawks wheel
over your head
in the sky of your mind’s eye,
create the sound of a flowing river,
bubbling over shoals of shale,
whispering past the cypress and cedar,
make you feel the tingle in your skin
when I submerge you in
cold, fresh, clear water
or give you the sensation
of tasting the salt of the ocean
assaulting you by tumbling
you in a wave, maybe
slamming you into the sand,
perhaps allowing you to ride the crest,
suspended between air and water,
abandoning earth
with sand in the tangled,
briny locks of your seaweed hair.
I can make the beach empty,
vast stretches of sand, ocean
out of reach,
or fill it with life—
sandcastles, volleyball, bocce,
kites and teenagers flying high
while children play at the
laughing edge of water,
scalloped into lace.
Maybe I want to put you
in a city, traffic and smog,
arrivals and departures,
high-heeled shoes clicking
on highly polished
hardwood floors,
cool marble facades,
an illuminated skyline
you can’t see because
you’re inside it, feeling the pulse,
the thrum and throb of
desire
for more, more, more:
another cocktail, another kiss,
another night on the town.
I can take you up in a Ferris wheel,
feel the bucket swing and sway,
feel the terror of nothing
but air beneath you
as the wheel turns,
sand slipping through the hourglass
while everyone hopes
I will bring them
back to the river, among the trees.
Hawks fly, fish swim,
I draw you in.
Come with me down sun-dappled
forest paths, fallen leaves a mosaic
beneath our feet
alongside mossy trunks
while we breathe needles and leaves
beside the river of memories
flowing beside us, maybe even
plunge into the water,
stop walking
and swim.
About the Creator
Harper Lewis
Intrusive rhyme bothers me, except as a weapon.
Intertextuality is my passion.
Formalist/ New Critical are my guiding theories.
My words are mine, not a robot’s.
MA English literature, CofC
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