
Some roads aren’t on paper.
They run along skin,
raised and silvered,
etched by survival,
charted without consent.
There’s a scar on my knee
from hopscotch and laughter,
a slip on warm concrete
in a childhood that still echoes.
One curls behind my leg
from the day I fell out of a tree,
age five and fearless,
chasing the sky with dirty feet.
Faint lines mark the surgeon’s work
hip bones opened,
an appendix removed,
a finger sliced and stitched
by sterile hands.
Then there are the tiny, jagged ones
on each fingertip,
gifts from beaks and talons
as I cradled panicked wings
in trembling hands.
My thumb bears a crescent moon
from a stubborn jar,
a domestic sting
that somehow left a mark.
This one curves where a bottle struck.
That one, a blade drawn
like a boundary line
between then and after.
Railroad lines across my forearms,
carved when pain became too loud
to hold inside.
Raised ridges on my thigh,
deep and deliberate,
a language of suffering
that once felt like the only tongue I knew.
Some are barely visible now,
but I remember the pain
of carving into flesh,
how silence bled out
and left something that stayed.
Now they live beneath tattoos,
inked-over stories
I chose to wear.
Another way to scar,
but one that leaves pictures
instead of reminders of the pain.
Still, if you trace them,
you’ll feel the notches,
a topography of ache
the artwork can’t erase.
There are trails too soft to see,
bruises that never broke surface
but still rewrote my posture,
left me flinching at shadows.
A faultline in the chest
where trust gave way,
you can’t see the crack,
but I still feel the shift when I breathe.
Not every scar is wreckage.
Some mark the places
I stumbled but didn’t stop.
I dragged myself forward,
skin torn, spirit frayed,
but still moving.
You won’t find me on any atlas.
But if you read my body,
you’ll know where I’ve been.
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