disabled as an identity, mine,
did not register while rereading my patient charts
and print-outs and blood tests,
or while draining my savings to buy mobility aids
or during my thesis research on crip time
or when Phil ran his hand along my spine that January morning
as I sat up in bed, too dizzy to stand, always, again,
or when the craniosacral therapist called me a warrior,
which made me think of cancer patients,
scared me more than empowered me,
or when I switched dentists because the office was on the second floor
and the elevator was old and regularly out of commission
even still,
when the diagnoses arrived, hand-in-hand, no cure,
acronyms to pocket gratefully,
I resisted its categorization with self-deprecating jokes.
It wasn’t until the word disabled entered my dreams, lucid,
that I began putting it in my author bio,
marveled at the thought that even at my most incorporeal,
I’m well aware of my precarity, my legs,
this full system override I can liken only
to how a spinning top lurches
through its final rotations.
Publication credit: "life work" first appeared in Issue 01 of The Goldfinch Review
About the Creator
Erin Latham Shea
Co-Founder and EIC of Housebound Magazine
Assistant Poetry Editor at Wishbone Words
Instagram: @somebookishrambles
Bluesky: @elshea.bsky.social
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