We knew exactly what would happen,
but sat back, content to watch it
draw closer, from the sketchbook to
a vivid portrait:
doom.
-
Arriving like a scheduled train in first person,
L’Arrivée d’un train en gare de La Ciotat
forever altered by technology and industry
the twisting road to Nowhere,
the serpent’s tail.
-
A wicked game
of snakes and ladders
played with daggers
-
ignored the daytime television, blaring to itself
in the darkest room,
doing nothing more than trying to drown out the noise:
impassioned guilt.
-
Years spent lost, alone in deep space
for what?
-
The loneliness like a knife in the stomach, near-fatal
a scratching pain, near antenatal
but all we seem to birth is hurt
the labour intensive cityscape
we built with our calloused hands
exhales the steam that slowly starts to melt our lungs,
-
land colonised,
for what?
-
Blades in the gut,
impregnated
as we bleed out
on the tarmac,
-
leaning on the lamppost not to fall asleep
our cold, metallic
life support.
About the Creator
Reece Beckett
Poetry and cultural discussion (primarily regarding film!).
Author of Portrait of a City on Fire (2020, Impspired Press). Also on Medium and Substack, with writing featured… around…
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